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Inter Arma by Shufran, Lauren
by Shufran, Lauren | PB | Good
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“Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, ”... Read moreAbout condition
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Located in: Aurora, Illinois, United States
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eBay item number:145376068453
Item specifics
- Condition
- Good
- Seller notes
- Binding
- Paperback
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9781934200681
- Book Title
- Inter Arma
- Book Series
- Motherwell Prize Ser.
- Publisher
- Fence Magazine, Incorporated
- Item Length
- 8 in
- Publication Year
- 2013
- Format
- Trade Paperback
- Language
- English
- Genre
- Poetry
- Topic
- Women Authors, General, American / General, Lgbt
- Item Weight
- 7.1 Oz
- Item Width
- 6 in
- Number of Pages
- 88 Pages
About this product
Product Identifiers
Publisher
Fence Magazine, Incorporated
ISBN-10
1934200689
ISBN-13
9781934200681
eBay Product ID (ePID)
144169445
Product Key Features
Book Title
Inter Arma
Number of Pages
88 Pages
Language
English
Publication Year
2013
Topic
Women Authors, General, American / General, Lgbt
Genre
Poetry
Book Series
Motherwell Prize Ser.
Format
Trade Paperback
Dimensions
Item Weight
7.1 Oz
Item Length
8 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
Synopsis
Inter Arma takes formally flagrant aim at the oppressions perpetrated in language and other structures on prisoners and other "bottoms.", This debut collection takes its title from a maxim of Ciceros that, translated loosely as "In times of war the law falls silent," has been effective in recent discourse around the erosion of citizens rights. Lauren Shufran employs a sprightly, activated boot-camp cadence in her metrically rigorous poems to look closely at the uncomfortable positions our military interventions put us in.Riffing on military chants, propulsive rhythms whereby submission and domination are inculcated, these chatty, allusive, classically informed poems explore analogies of terrorism and homosexuality in the context of our militarized media, our mediated military. Internalized rhymes, lyric baubles, and glittery, hyphenated memes insist on trainings and missions wherein heroes and villains are sodomized and lionized, penetrated and perpetuated.From "Afterwards They Photographed my Veteran Face, f/4 at 500": "The aperture where pussyfooting loses depth Of field like summary exposures. Doubt-Ful of my fealty Id procured a honey who Was made of honey-indicators: formIn cock and crockery. I souse his dish with glaze To make it lachrymose and vitreous, Get myriad shaft fractures in his forearms and His saucers, and high incidences ofThrow-Downers Sprain from over-wedging. I put the Clay up on the wheel; I make a hole there."Lauren Shufran received an MA in English and MFA in poetry from San Francisco State University and is currently a PhD candidate at the University of California at Santa Cruz, where she studies Renaissance lyric and religious enthusiasm in seventeenth-century England. This is her first full-length book., This debut collection takes its title from a maxim of Cicero's that, translated loosely as "In times of war the law falls silent," has been effective in recent discourse around the erosion of citizens' rights. Lauren Shufran employs a sprightly, activated boot-camp cadence in her metrically rigorous poems to look closely at the uncomfortable positions our military interventions put us in. Riffing on military chants, propulsive rhythms whereby submission and domination are inculcated, these chatty, allusive, classically informed poems explore analogies of terrorism and homosexuality in the context of our militarized media, our mediated military. Internalized rhymes, lyric baubles, and glittery, hyphenated memes insist on trainings and missions wherein heroes and villains are sodomized and lionized, penetrated and perpetuated. From "Afterwards They Photographed my Veteran Face, f/4 at 500": The aperture where pussyfooting loses depth Of field like summary exposures. Doubt- Ful of my fealty I'd procured a honey who Was made of honey-indicators: form In cock and crockery. I souse his dish with glaze To make it lachrymose and vitreous, Get myriad shaft fractures in his forearms and His saucers, and high incidences of Throw-Downer's Sprain from over-wedging. I put the Clay up on the wheel; I make a hole there. Lauren Shufran received an MA in English and MFA in poetry from San Francisco State University and is currently a PhD candidate at the University of California at Santa Cruz, where she studies Renaissance lyric and religious enthusiasm in seventeenth-century England. This is her first full-length book., This debut collection takes its title from a maxim of Cicero's that, translated loosely as "In times of war the law falls silent," has been effective in recent discourse around the erosion of citizens' rights. Lauren Shufran employs a sprightly, activated boot-camp cadence in her metrically rigorous poems to look closely at the uncomfortable positions our military interventions put us in. Riffing on military chants, propulsive rhythms whereby submission and domination are inculcated, these chatty, allusive, classically informed poems explore analogies of terrorism and homosexuality in the context of our militarized media, our mediated military. Internalized rhymes, lyric baubles, and glittery, hyphenated memes insist on trainings and missions wherein heroes and villains are sodomized and lionized, penetrated and perpetuated. From "Afterwards They Photographed my Veteran Face, f/4 at 500" The aperture where pussyfooting loses depth Of field like summary exposures. Doubt- Ful of my fealty I'd procured a honey who Was made of honey-indicators: form In cock and crockery. I souse his dish with glaze To make it lachrymose and vitreous, Get myriad shaft fractures in his forearms and His saucers, and high incidences of Throw-Downer's Sprain from over-wedging. I put the Clay up on the wheel; I make a hole there. Lauren Shufran received an MA in English and MFA in poetry from San Francisco State University and is currently a PhD candidate at the University of California at Santa Cruz, where she studies Renaissance lyric and religious enthusiasm in seventeenth-century England. This is her first full-length book.
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