Sealed Performing French Classical Music Sources Applications Hardcover Book

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Condition:
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This item comes in its original plastic, never opened; there is wear to the book and plastic from ... Read moreAbout condition
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Item specifics

Condition
Like New
A book that has been read, but looks new. The book cover has no visible wear, and the dust jacket (if applicable) is included for hard covers. No missing or damaged pages, no creases or tears, no underlining or highlighting of text, and no writing in the margins. May have no identifying marks on the inside cover. No wear and tear. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
Seller notes
“This item comes in its original plastic, never opened; there is wear to the book and plastic from ...
Storage
V18
ISBN
9781576470374
Category

About this product

Product Identifiers

Publisher
Pendragon Press
ISBN-10
1576470377
ISBN-13
9781576470374
eBay Product ID (ePID)
1911005

Product Key Features

Number of Pages
144 Pages
Language
English
Publication Name
Performing French Classical Music : A Case Study Based on the Premiere Suite of Francois Chauvon (fl. 1712-1736)
Subject
Instruction & Study / General, General
Publication Year
2001
Type
Textbook
Author
Timothy Shultz
Subject Area
Music
Format
Hardcover

Dimensions

Item Height
0.7 in
Item Weight
18.7 Oz
Item Length
10.2 in
Item Width
7.3 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2001-036107
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
781.4/3/094409033
Synopsis
This book discusses what both early and modern sources say about French performance practice and offers solutions to performance problems in Francois Chauvon's Premierre Suitte (taken from Tibiades, 1717). Part one discusses relevant issues of historical performance practice and establishes a conte, This book introduces performers to the elegant classically-inspired music from the world of Louis XIV. The author discusses stylistic elements such as rhythmic alteration articulation dance rhythms and tempo-elements which were mostly conveyed through means other than direct musical notation. Designed with performers in mind this study presents information from seventeenth- and eighteenth-century treatises and applies it to a suite of dances by François Chauvon a student of François Couperin. The complete edition of Chauvon's Tibiades which is included will be of great interest to those who interpret the works of French composers.
LC Classification Number
ML457.S28 2001

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TriCornerEstates

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