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The Space of Effusion: Sam Francis in Japan, Speer, Richard, Very Good Book

US $24.82
ApproximatelyEUR 22.39
Condition:
Very Good
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    Located in: Dallas, Texas, United States
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    eBay item number:167348548857
    Last updated on 05 May, 2025 06:46:03 BSTView all revisionsView all revisions

    Item specifics

    Condition
    Very Good: A book that has been read and does not look new, but is in excellent condition. No ...
    Book Title
    The Space of Effusion: Sam Francis in Japan
    ISBN
    9783858818614

    About this product

    Product Identifiers

    Publisher
    Scheidegger Und Albert Spiess A&G, Verlag
    ISBN-10
    3858818615
    ISBN-13
    9783858818614
    eBay Product ID (ePID)
    2309454481

    Product Key Features

    Number of Pages
    224 Pages
    Language
    English
    Publication Name
    Space of Effusion : Sam Francis in Japan
    Publication Year
    2020
    Subject
    General
    Features
    New Edition
    Type
    Textbook
    Subject Area
    Art
    Author
    Richard Speer
    Format
    Hardcover

    Dimensions

    Item Height
    1.1 in
    Item Length
    11.8 in
    Item Width
    9.2 in

    Additional Product Features

    Intended Audience
    Scholarly & Professional
    TitleLeading
    The
    Edition Description
    New Edition
    Synopsis
    One of the world's preeminent Abstract Expressionists, California-born painter Sam Francis (1923-1994) first traveled to Japan in 1957, quickly established studios and residences there, and became active in a circle of avant-garde artists, writers, filmmakers, architects, and composers, including members of the nascent Gutai and Mono-ha movements. This book chronicles those connections, as well as his complex and evolving relationship with East Asian aesthetics from the 1950s through the 1990s. From the very first exhibitions Francis had in Tokyo, critics linked his evocative use of negative space with the Japanese concept of "ma", a symbolically rich interval between objects or ideas. This shared pictorial and philosophical syntax laid the foundation for a feedback loop of mutual influence that spurred frequent collaborations between the artist and his Japanese contemporaries, extending into the realms of printmaking, ceramics, music, poetry, publishing, and performance. Written by art critic and curator Richard Speer, with a foreword by Debra Burchett-Lere, executive director/president of the Sam Francis Foundation, this is the first full-length monograph to explore an important but sometimes overlooked milieu in Post-World War II art--a dialogue between Eastern and Western sensibilities that prefigured our current era of global interconnectedness and cross-cultural exchange. Lavishly illustrated with color plates and archival images, it is an adjunct publication for the related exhibition "Sam Francis and Japan: Emptiness Overflowing" (Los Angeles County Museum of Art, 2021), co-curated by Speer.

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    hpb-ruby

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