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History of Modern Art, 6th Edition - Paperback By Arnason, H. H. - GOOD
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eBay item number:186279313429
Item specifics
- Condition
- Brand
- Unbranded
- MPN
- Does not apply
- ISBN
- 9780136062066
- Subject Area
- Art
- Publication Name
- History of Modern Art
- Item Length
- 11.5 in
- Publisher
- Prentice Hall PTR
- Subject
- General, History / General
- Publication Year
- 2009
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 1.5 in
- Item Width
- 8.7 in
- Item Weight
- 86.1 Oz
- Number of Pages
- 848 Pages
About this product
Product Information
Long considered the survey of modern art, this engrossing and liberally illustrated text traces the development of trends and influences in painting, sculpture, photography and architecture from the mid-nineteenth century to the present day. Retaining its comprehensive nature and chronological approach, it now comes thoroughly reworked by Elizabeth Mansfield, an experienced art historian and writer, with refreshing new analyses, a considerably expanded picture program, and a more absorbing and unified narrative.
Product Identifiers
Publisher
Prentice Hall PTR
ISBN-10
0136062067
ISBN-13
9780136062066
eBay Product ID (ePID)
102892246
Product Key Features
Publication Name
History of Modern Art
Format
Trade Paperback
Language
English
Subject
General, History / General
Publication Year
2009
Type
Textbook
Subject Area
Art
Number of Pages
848 Pages
Dimensions
Item Length
11.5 in
Item Height
1.5 in
Item Width
8.7 in
Item Weight
86.1 Oz
Additional Product Features
Edition Number
6
LCCN
2009-015436
Lc Classification Number
N6490.A713 2009
Reviews
For over four decades, H. H. Arnason's History of Modern Art has been an indispensible guide to a large and complex subject. Revised and expanded by co-author Elizabeth C. Mansfield, the sixth edition presents a comprehensive overview of modern art with fascinating new material on such topics as Postmodernism, globalization, and art institutions in the twenty-first century. Alan Wallach, William and Mary College Elizabeth Mansfield's revised History of Modern Art is as expansive as modernism itself. Beginning at 19th-century realism in France and ending with contemporary globalization, her survey embraces an impressive range of aesthetic developments across numerous media, I especially admire how she organizes modernism's great diversity under a clear interpretative framework maintained through all 27 chapters. Her book will prove an invaluable tool for educators. Andr s Mario Zervig n, Assistant Professor, Dept. of Art History, Rutgers University. Bravo. Most thorough and useful revision of a textbook I have seen in more than four decades of teaching. Carl Goldstein, University of North Carolina at Greensboro I will definitely adopt this revised edition as it is tremendously improved in organization and structure. Elizabeth Mix (formerly Elizabeth Menon), Butler University The revisions to Arnason's History of Modern Art broaden the overall historical contexts of modernism and address more fully the implications of modernism in art and their relationship with the history of the modern Western world. The rewritten edition attempts to include more non-Western European and North American artists and is much more sophisticated in its handling of the historiography of art history. Damon Willick, Loyola Marymount University Exciting, more comprehensive and inclusive rather than exclusive! Mansfield's revisions make the text far more accessible. Barbara L. Miller, Western Washington University, For over four decades, H. H. Arnason'sHistory of Modern Arthas been an indispensible guide to a large and complex subject. Revised and expanded by co-author Elizabeth C. Mansfield, the sixth edition presents a comprehensive overview of modern art with fascinating new material on such topics as Postmodernism, globalization, and art institutions in the twenty-first century. Alan Wallach, William and Mary College Bravo. Most thorough and useful revision of a textbook I have seen in more than four decades of teaching. Carl Goldstein, University of North Carolina at Greensboro I will definitely adopt this revised edition as it is tremendously improved in organization and structure. Elizabeth Mix (formerly Elizabeth Menon), Butler University The revisions to Arnason's History of Modern Art broaden the overall historical contexts of modernism and address more fully the implications of modernism in art and their relationship with the history of the modern Western world. The rewritten edition attempts to include more non-Western European and North American artists and is much more sophisticated in its handling of the historiography of art history. Damon Willick, Loyola Marymount University Exciting, more comprehensive and inclusive rather than exclusive! Mansfield's revisions make the text far more accessible. Barbara L. Miller, Western Washington University, For over four decades, H. H. Arnason's History of Modern Art has been an indispensible guide to a large and complex subject. Revised and expanded by co-author Elizabeth C. Mansfield, the sixth edition presents a comprehensive overview of modern art with fascinating new material on such topics as Postmodernism, globalization, and art institutions in the twenty-first century. Alan Wallach, William and Mary College Elizabeth Mansfield's revised History of Modern Art is as expansive as modernism itself. Beginning at 19th-century realism in France and ending with contemporary globalization, her survey embraces an impressive range of aesthetic developments across numerous media, I especially admire how she organizes modernism's great diversity under a clear interpretative framework maintained through all 27 chapters. Her book will prove an invaluable tool for educators. Andrés Mario Zervigón, Assistant Professor, Dept. of Art History, Rutgers University. Bravo. Most thorough and useful revision of a textbook I have seen in more than four decades of teaching. Carl Goldstein, University of North Carolina at Greensboro I will definitely adopt this revised edition as it is tremendously improved in organization and structure. Elizabeth Mix (formerly Elizabeth Menon), Butler University The revisions to Arnason's History of Modern Art broaden the overall historical contexts of modernism and address more fully the implications of modernism in art and their relationship with the history of the modern Western world. The rewritten edition attempts to include more non-Western European and North American artists and is much more sophisticated in its handling of the historiography of art history. Damon Willick, Loyola Marymount University Exciting, more comprehensive and inclusive rather than exclusive! Mansfield's revisions make the text far more accessible. Barbara L. Miller, Western Washington University, For over four decades, H. H. Arnason's History of Modern Art has been an indispensible guide to a large and complex subject. Revised and expanded by co-author Elizabeth C. Mansfield, the sixth edition presents a comprehensive overview of modern art with fascinating new material on such topics as Postmodernism, globalization, and art institutions in the twenty-first century. Alan Wallach, William and Mary College Elizabeth Mansfield's revised History of Modern Art is as expansive as modernism itself. Beginning at 19th-century realism in France and ending with contemporary globalization, her survey embraces an impressive range of aesthetic developments across numerous media, I especially admire how she organizes modernism's great diversity under a clear interpretative framework maintained through all 27 chapters. Her book will prove an invaluable tool for educators. Andrs Mario Zervign, Assistant Professor, Dept. of Art History, Rutgers University. Bravo. Most thorough and useful revision of a textbook I have seen in more than four decades of teaching. Carl Goldstein, University of North Carolina at Greensboro I will definitely adopt this revised edition as it is tremendously improved in organization and structure. Elizabeth Mix (formerly Elizabeth Menon), Butler University The revisions to Arnason's History of Modern Art broaden the overall historical contexts of modernism and address more fully the implications of modernism in art and their relationship with the history of the modern Western world. The rewritten edition attempts to include more non-Western European and North American artists and is much more sophisticated in its handling of the historiography of art history. Damon Willick, Loyola Marymount University Exciting, more comprehensive and inclusive rather than exclusive! Mansfield's revisions make the text far more accessible. Barbara L. Miller, Western Washington University, For over four decades, H. H. Arnason's History of Modern Art has been an indispensible guide to a large and complex subject. Revised and expanded by co-author Elizabeth C. Mansfield, the sixth edition presents a comprehensive overview of modern art with fascinating new material on such topics as Postmodernism, globalization, and art institutions in the twenty-first century. Alan Wallach, William and Mary College "Elizabeth Mansfield's revised History of Modern Art is as expansive as modernism itself. Beginning at 19th-century realism in France and ending with contemporary globalization, her survey embraces an impressive range of aesthetic developments across numerous media, I especially admire how she organizes modernism's great diversity under a clear interpretative framework maintained through all 27 chapters. Her book will prove an invaluable tool for educators." Andr s Mario Zervig n, Assistant Professor, Dept. of Art History, Rutgers University. Bravo. Most thorough and useful revision of a textbook I have seen in more than four decades of teaching. Carl Goldstein, University of North Carolina at Greensboro I will definitely adopt this revised edition as it is tremendously improved in organization and structure. Elizabeth Mix (formerly Elizabeth Menon), Butler University The revisions to Arnason's History of Modern Art broaden the overall historical contexts of modernism and address more fully the implications of modernism in art and their relationship with the history of the modern Western world. The rewritten edition attempts to include more non-Western European and North American artists and is much more sophisticated in its handling of the historiography of art history. Damon Willick, Loyola Marymount University Exciting, more comprehensive and inclusive rather than exclusive! Mansfield's revisions make the text far more accessible. Barbara L. Miller, Western Washington University, Bravo. Most thorough and useful revision of a textbook I have seen in more than four decades of teaching. Carl Goldstein. University of North Carolina at Greensboro I will definitely adopt this revised edition as it is tremendously improved in organization and structure. Elizabeth Mix (formerly Elizabeth Menon), Butler University The revisions to Arnason's History of Modern Art broaden the overall historical contexts of modernism and address more fully the implications of modernism in art and their relationship with the history of the modern Western world. The rewritten edition attempts to include more non-Western European and North American artists and is much more sophisticated in its handling of the historiography of art history. Damon Willick, Loyola Marymount University Exciting, more comprehensive and inclusive rather than exclusive! Mansfield's revisions make the text far more accessible. Barbara L. Miller, Western Washington University, For over four decades, H. H. Arnason'sHistory of Modern Arthas been an indispensible guide to a large and complex subject. Revised and expanded by co-author Elizabeth C. Mansfield, the sixth edition presents a comprehensive overview of modern art with fascinating new material on such topics as Postmodernism, globalization, and art institutions in the twenty-first century. Alan Wallach, William and Mary College Elizabeth Mansfield's revised History of Modern Art is as expansive as modernism itself. Beginning at 19 th -century realism in France and ending with contemporary globalization, her survey embraces an impressive range of aesthetic developments across numerous media, I especially admire how she organizes modernism's great diversity under a clear interpretative framework maintained through all 27 chapters. Her book will prove an invaluable tool for educators. AndrÉs Mario ZervigÓn, Assistant Professor, Dept. of Art History, Rutgers University. For over four decades, H. H. Arnason'sHistory of Modern Arthas been an indispensible guide to a large and complex subject. Revised and expanded by co-author Elizabeth C. Mansfield, the sixth edition presents a comprehensive overview of modern art with fascinating new material on such topics as Postmodernism, globalization, and art institutions in the twenty-first century. Alan Wallach, William and Mary College Bravo. Most thorough and useful revision of a textbook I have seen in more than four decades of teaching. Carl Goldstein, University of North Carolina at Greensboro I will definitely adopt this revised edition as it is tremendously improved in organization and structure. Elizabeth Mix (formerly Elizabeth Menon), Butler University The revisions to Arnason's History of Modern Art broaden the overall historical contexts of modernism and address more fully the implications of modernism in art and their relationship with the history of the modern Western world. The rewritten edition attempts to include more non-Western European and North American artists and is much more sophisticated in its handling of the historiography of art history. Damon Willick, Loyola Marymount University Exciting, more comprehensive and inclusive rather than exclusive! Mansfield's revisions make the text far more accessible. Barbara L. Miller, Western Washington University, For over four decades, H. H. Arnason's History of Modern Art has been an indispensible guide to a large and complex subject. Revised and expanded by co-author Elizabeth C. Mansfield, the sixth edition presents a comprehensive overview of modern art with fascinating new material on such topics as Postmodernism, globalization, and art institutions in the twenty-first century. Alan Wallach, William and Mary College Elizabeth Mansfield's revised History of Modern Art is as expansive as modernism itself. Beginning at 19th-century realism in France and ending with contemporary globalization, her survey embraces an impressive range of aesthetic developments across numerous media, I especially admire how she organizes modernism's great diversity under a clear interpretative framework maintained through all 27 chapters. Her book will prove an invaluable tool for educators. Andrès Mario Zervigòn, Assistant Professor, Dept. of Art History, Rutgers University. Bravo. Most thorough and useful revision of a textbook I have seen in more than four decades of teaching. Carl Goldstein, University of North Carolina at Greensboro I will definitely adopt this revised edition as it is tremendously improved in organization and structure. Elizabeth Mix (formerly Elizabeth Menon), Butler University The revisions to Arnason's History of Modern Art broaden the overall historical contexts of modernism and address more fully the implications of modernism in art and their relationship with the history of the modern Western world. The rewritten edition attempts to include more non-Western European and North American artists and is much more sophisticated in its handling of the historiography of art history. Damon Willick, Loyola Marymount University Exciting, more comprehensive and inclusive rather than exclusive! Mansfield's revisions make the text far more accessible. Barbara L. Miller, Western Washington University
Table of Content
Foreword: A Short History of History of Modern Art The Art of Looking Experience and Interpretation A Book That Moves with the Times Preface What''s New: Chapter-by-chapter revisions 1: The Origins of Modern Art SOURCE: Thèophile Gautier, preface to Mademoiselle de Maupin (1835) Making Art and Artists: The Role of the Critic A Marketplace for Art CONTEXT: Modernity and Modernism the Modern Artist What Does It Mean to Be an Artist?: From Academic Emulation toward Romantic Originality Making Sense of a Turbulent World: The Legacy of Neoclassicism and Romanticism TECHNIQUE: Printmaking Techniques History Painting Landscape Painting 2: The Search for Truth: Early Photography, Realism, and Impressionism New Ways of Seeing: Photography and its Influence TECHNIQUE: Daguerreotype versus Calotype Only the Truth: Realism France England Seizing the Moment: Impressionism and the Avant-Garde Manet and Whistler From Realism to Impressionism Nineteenth-Century Art in the United States Early American Artists and the Hudson River School New Styles and Techniques in Later Nineteenth- SOURCE: Charles Baudelaire, from his "Salon of 1859" Century American Art 3: Post-Impressionism The Poetic Science of Color: Seurat and the Neo-Impressionists Form and Nature: Paul Cèzanne Early Career and Relation to Impressionism Later Career The Triumph of Imagination: Symbolism Reverie and Representation: Moreau, Puvis, and Redon The Naive Art of Henri Rousseau An Art Reborn: Rodin and Sculpture at the Fin-de-Siécle Early Career and The Gates of Hell The Burghers of Calais and Later Career Exploring New Possibilities: Claudel and Rosso Primitivism and the Avant-Garde: Gauguin and Van Gogh Gauguin SOURCE: Paul Gauguin, from Noa Noa (1893) Van Gogh SOURCE: Vincent van Gogh, from a letter to his brother Theo van Gogh, 6 August 1888 A New Generation of Prophets: The Nabis Vuillard and Bonnard Montmartre: At Home with the Avant-Garde 4: The Origins of Modern Architecture and Design Safeguarding Culture: Revivalist Tendencies in Nineteenth-Century Architecture American Classicism European Eclecticism "A Return to Simplicity": The Arts and Crafts Movement and Experimental Architecture Experiments in Synthesis: Modernism beside the Hearth Palaces of Iron and Glass: The Influence of Industry SOURCE: Joris-Karl Huysmans, from the review Le Fer , 1889 "Form Follows Function": The Chicago School and the Origins of the Skyscraper SOURCE: Louis Sullivan, "The Tall Office Building Artistically Considered," 1896 5: Art Nouveau and the Beginnings of Expressionism With Beauty at the Reins of Industry: Aestheticism and Art Nouveau Natural Forms for the Machine Age: The Art Nouveau Aesthetic Painting and Graphic Art SOURCE: Sigmund Freud, from The Interpretation of Dreams, 1899 Architecture and Design Toward Expressionism: Late Nineteenth-Century Avant-Garde Painting beyond France Scandinavia Northern and Central Europe 6: The New Century: Experiments in Color and Form Fauvism "Purity of Means" in Practice: Henri Matisse''s Early Career Earliest Works Matisse''s Fauve Period SOURCE: Charles Baudelaire, Invitation to the Voyage, 1857 The Influence of African Art "Wild Beasts" Tamed: Derain, Vlaminck, and Dufy Religious Art for a Modern Age: Georges Rouault The Belle epoque on Film: the Lumiére Brothers and Lartigue CONTEXT: Early Motion Pictures Modernism on a Grand Scale: Matisse''s Art after Fauvism Forms of the Essential: Constantin Brancusi 7: Expressionism in Germany From Romanticism to Expressionism: Corinth and Modersohn-Becker SOURCE: Paula Modersohn-Becker, Letters and journal Spanning the Divide between Romanticism and Expressionism: Die Brücke Kirchner TECHNIQUE: Woodcuts and Woodblock Prints Nolde Heckel, Müller, Pechstein, and Schmidt-Rottluff Die Brücke''s Collapse The Spiritual Dimension: Der Blaue Reiter Kandinsky Münter Werefkin Marc Macke Jawlensky Klee Feininger Expressionist Sculpture <p style="MARGIN: 0px" align="left" text-align="
Copyright Date
2010
Target Audience
College Audience
Dewey Decimal
709.04
Dewey Edition
22
Illustrated
Yes
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