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HISTORICAL GRAMMAR OF THE VISUAL ARTS By Alois Riegl - Hardcover

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Item specifics

Condition
Good
A book that has been read, but is in good condition. Minimal damage to the book cover eg. scuff marks, but no holes or tears. If this is a hard cover, the dust jacket may be missing. Binding has minimal wear. The majority of pages are undamaged with some creasing or tearing, and pencil underlining of text, but this is minimal. No highlighting of text, no writing in the margins, and no missing pages. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
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“Book is in typical used-Good Condition.  Will show signs of wear to cover and/or pages. There may ...
ISBN-10
1890951455
Publication Name
Zone Books
Type
Hardcover
ISBN
9781890951450
Book Title
Historical Grammar of the Visual Arts
Item Length
9.2 in
Publisher
Zone Books
Publication Year
2004
Format
Hardcover
Language
English
Illustrator
Yes
Item Height
1.7 in
Author
Alois Riegl
Genre
Art
Topic
Criticism & Theory, History / General
Item Width
6.2 in
Item Weight
31 Oz
Number of Pages
496 Pages

About this product

Product Information

Alo s Riegl is one of the greatest of all modern art historians. The most important member of the so-called "Vienna School," Riegl developed a highly refined technique of visual or formal analysis, as opposed to the iconological method, with its emphasis on decoding motifs through recourse to texts. Riegl also pioneered understanding of the changing role of the viewer, the significance of non-high art objects or what would now be called visual or material culture, and theories of art and art history, including his much-debated neologism Kunstwollen (the will of art). At last, his Historical Grammar of the Visual Arts , which brings together the diverse threads of his thought, is available to an English-language audience, in a superlative translation by Jacqueline E. Jung. In one of the earliest and perhaps the most brilliant of all art historical "surveys," Riegl addresses the different visual arts within a sweeping conception of the history of culture. His account derives from Hegelian models but decisively opens onto alternative pathways that continue to complicate attempts to reduce art merely to the artist's intentions or its social and historical functions. "The intelligence, originality, and range of Riegl's writings remain unsurpassed in the history of art-historical scholarship. He occupies a singular position as a founder of his discipline and one of its most radical thinkers, and represents a crucial precedent for the current reevaluation of the theory and practice of art history today... . If you are interested in art history, you should read this book, and keep it, if not on a lectern in your study, on your shelf."-- from the foreword by Benjamin Binstock

Product Identifiers

Publisher
Zone Books
ISBN-10
1890951455
ISBN-13
9781890951450
eBay Product ID (ePID)
5938860

Product Key Features

Book Title
Historical Grammar of the Visual Arts
Author
Alois Riegl
Format
Hardcover
Language
English
Topic
Criticism & Theory, History / General
Publication Year
2004
Illustrator
Yes
Genre
Art
Number of Pages
496 Pages

Dimensions

Item Length
9.2 in
Item Height
1.7 in
Item Width
6.2 in
Item Weight
31 Oz

Additional Product Features

Lc Classification Number
N5303.R513 2004
Grade from
College Graduate Student
Reviews
The intelligence, originality, and range of Riegl's writings remain unsurpassed inthe history of art-historical scholarship., The intelligence, originality, and range of Riegl's writings remain unsurpassed in the history of art-historical scholarship.
Table of Content
Foreword: Alois Riegl, Monumental Ruin p.11Why We Still Need to Read Historical Grammar of the Visual ArtsBenjamin BinstockTranslator's Preface: Ubersetzungsfragen p.37Form, Communication, and Questions of Translating RieglJacqueline E. JungFirst Version: Book Manuscript of 1897-1898Introductory Remarks p.51Part One WorldviewI First Period: Art as Improvement of Nature Through Physical Beauty p.57II Second Period: Art as Improvement of Nature Through Spiritual Beauty p.67III Third Period: Art as Reproduction of Transitory Nature p.95Part Two Elements of the Work of ArtIV Purpose p.109V Motifs p.123VI Form and Surface p.187Draft of the Missing Conclusion p.269Second Version: Lecture Notes of 1899Introduction p.287Part One WorldviewI First Period: Antique Anthropomorphic Polytheism to the Third Century C.E. p.307II Second Period: Christian Monotheism, 313-1520 p.323III Third Period: Natural-Scientific Worldview p.337Part Two ElementsIV Motifs and Purposes p.343V Form and Surface p.395Notes p.435Illustrations p.445Index p.477
Copyright Date
2004
Target Audience
Trade
Lccn
2003-053821
Dewey Decimal
709
Dewey Edition
21

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Collectible Books and Music LLC
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