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The Grateful Dead in Concert: Essays on Live Improvisation by James A. Tuedio

by James A. Tuedio | PB | VeryGood
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Condition:
Very Good
May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend ... Read moreAbout condition
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eBay item number:196211675950
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Item specifics

Condition
Very Good
A book that has been read and does not look new, but is in excellent condition. No obvious damage to the book cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, no underlining or highlighting of text, and no writing in the margins. Some identifying marks on the inside cover, but this is minimal. Very little wear and tear. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
Seller notes
“May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend ...
Binding
Paperback
Weight
1 lbs
Product Group
Book
IsTextBook
No
ISBN
9780786443574
Subject Area
Music, Social Science
Publication Name
Grateful Dead in Concert : Essays on Live Improvisation
Publisher
Mcfarland & Company, Incorporated Publishers
Item Length
9 in
Subject
Popular Culture, General, Instruction & Study / Techniques, Genres & Styles / Rock
Publication Year
2010
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.7 in
Author
Stan Spector
Item Weight
16.8 Oz
Item Width
6 in
Number of Pages
365 Pages

About this product

Product Identifiers

Publisher
Mcfarland & Company, Incorporated Publishers
ISBN-10
078644357X
ISBN-13
9780786443574
eBay Product ID (ePID)
26038854166

Product Key Features

Number of Pages
365 Pages
Language
English
Publication Name
Grateful Dead in Concert : Essays on Live Improvisation
Publication Year
2010
Subject
Popular Culture, General, Instruction & Study / Techniques, Genres & Styles / Rock
Type
Textbook
Author
Stan Spector
Subject Area
Music, Social Science
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
16.8 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2009-047270
Reviews
"fun collection of essays...some great writing in here"-- Sacramento Book Review "producing this volume was obviously a labor of love...remarkable...recommend[ed]...intellectually stimulating, worthwhile contribution"-- Critical Studies in Improvisation ., "fun collection of essays...some great writing in here"-- Sacramento Book Review ; "producing this volume was obviously a labor of love...remarkable...recommend[ed]...intellectually stimulating, worthwhile contribution"-- Critical Studies in Improvisation ., "fun collection of essays...some great writing in here"- Sacramento Book Review ; "producing this volume was obviously a labor of love...remarkable...recommend[ed]...intellectually stimulating, worthwhile contribution"- Critical Studies in Improvisation .
TitleLeading
The
Dewey Edition
22
Number of Volumes
1 vol.
Illustrated
Yes
Dewey Decimal
782.42166092/2
Table Of Content
Table of Contents Tuning Up Foreword: The Grateful Dead Phenomenon STANLEY KRIPPNER Preface : Kaleidoscopic Entry to the Show Introduction: "Shall We Go?" First Set: Musical and Lyrical Elements of Grateful Dead Improvisation Non-Systematic Thoughts About Improvisation CRISTIAN AMIGO Mandalas and the Dead GRAEME M. BOONE The Eccentric Revolutions of Phil Lesh BRENT WOOD American Chaos: Charles Ives and the Grateful Dead SHAUGN O''DONNELL "Mr. Charlie Told Me So": Heidegger and the Dead''s Early Assimilation to the Technology of the Blues DAVID MALVINNI Dark Star Mandala GRAEME M. BOONE "Where All the Pages Are My Days": Metacantric Moments in Deadhead Lyrical Experience REVELL CARR "Not Just a Change of Style": Reading Workingman''s Dead as an American Commentary with Americana Roots ERIN MCCOY Second Set: Some Philosophical Contours of Grateful Dead Improvisation Improvised Philosophy ALAN TRIST "Pouring Its Light Into Ashes": Exploring the Multiplicity of Becoming in Grateful Dead Improvisation JIM TUEDIO "Searching for the Sound": Grateful Dead Music and Interpretive Transformation JASON KEMP WINFREE Plato''s Pharmakon : Grateful Dead Concerts and the Politics of Getting High ELIZABETH CARROLL When "Reason Tatters": Nietzsche and the Grateful Dead on Living a Healthy Life STAN SPECTOR The Other One and the Other: Moral Lessons from a Reluctant Teacher STEVEN GIMBEL Innocence and Experience in the Grateful Dead: A Reading of Stuart Hampshire NICHOLAS MERIWETHER Third Set: Experiencing Community Through Grateful Dead Improvisation Modeling Improvisation MARY GOODENOUGH "Mysteries Dark and Vast": Grateful Dead Concerts and Initiation into the Sublime ERIC K. SILVERMAN Bears and Flags: The Grateful Dead''s America and Bohemian Nationalism JAY WILLIAMS Improvising Community: A Hermeneutic Analysis of Deadheads and Virtual Communities GARY BURNETT Strategic Improvisation: Management Lessons from the Dead BARRY BARNES Cultural Communication Codes Among Deadheads: A Chronological Account of Communicative Improvisation NATALIE J. DOLLAR Examining Grateful Dead Improvisation as a Catalyst for Creating Sustained Communitas AMANDA DIEDERICH-HIRSH "I Can''t Do Anything but Lie": Studying Deadheads While Wearing Simmelian Lenses REBECCA G. ADAMS Encore The Thing Is the Thing Is the Thing Is the Thing Is There Is No Thing CHRISTIAN CRUMLISH All His Children Grew and Grew (Who Killed Uncle John?) DAVID GANS Greensleeves The Grateful Dead Came to Our House One Day (with 20 People and a Bottle of LSD): A Story About Discovering the Power of Channeling Healing Energy JEAN MILLAY Contributors Index
Synopsis
This book offers a spirited analysis of the unique improvisational character of Grateful Dead music and its impact on appreciative fans. The 20 essays capture distinct facets of the Grateful Dead phenomenon from a broad range of scholarly angles. The band's trademark synergizing focus is discussed as a function of complex musical improvisation interlaced with the band members' collective assimilation of an impressive range of marginal musical forms and lyrical traditions. These facets are shown to produce a vibrant Deadhead experience, resulting in community influences still morphing in new directions 45 years after the band's initial impact., Offers an analysis of the improvisational character of Grateful Dead music and its impact on appreciative fans. This book features 20 essays that capture distinct facets of the Grateful Dead phenomenon from a broad range of scholarly angles: musicology and ethnomusicology; Continental and postmodern philosophies; and, sociology.
LC Classification Number
ML421.G72G72 2010

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