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Creative License: The Law and Cultu..., Mcleod, Kembrew
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Item specifics
- Condition
- Title
- Creative License: The Law and Culture of Digital Sampling
- ISBN
- 0822348756
- EAN
- 9780822348757
- Binding
- Paperback / softback
- Date of Publication
- 20110314
- Publication Name
- N/A
- Release Title
- Creative License: The Law and Culture of Digital Sampling
- Artist
- Mcleod, Kembrew
- Brand
- N/A
- Colour
- N/A
- Publication Year
- 2011
- Type
- Textbook
- Format
- Paperback
- Language
- English
- Book Title
- Creative License: the Law and Culture of Digital Sampling
- Item Height
- 216mm
- Publisher
- Duke University Press
- Topic
- Law, Music
- Item Width
- 156mm
- Number of Pages
- 336 Pages
About this product
Product Information
How did the Depression-era folk-song collector Alan Lomax end up with a songwriting credit on Jay-Z's song Takeover ? Why doesn't Clyde Stubblefield, the primary drummer on James Brown recordings from the late 1960s such as Funky Drummer and Cold Sweat, get paid for other musicians' frequent use of the beats he performed on those songs? The music industry's approach to digital sampling-the act of incorporating snippets of existing recordings into new ones-holds the answers. Exploring the complexities and contradictions in how samples are licensed, Kembrew McLeod and Peter DiCola interviewed more than 100 musicians, managers, lawyers, industry professionals, journalists, and scholars. Based on those interviews, Creative License puts digital sampling into historical, cultural, and legal context. It describes hip-hop during its sample-heavy golden age in the 1980s and early 1990s, the lawsuits that shaped U.S. copyright law on sampling, and the labyrinthine licensing process that musicians must now navigate. The authors argue that the current system for licensing samples is inefficient and limits creativity. For instance, by estimating the present-day licensing fees for the Beastie Boys' Paul's Boutique (1989) and Public Enemy's Fear of a Black Planet (1990), two albums from hip-hop's golden age, the authors show that neither album could be released commercially today. Observing that the same dynamics that create problems for remixers now reverberate throughout all culture industries, the authors conclude by examining ideas for reform.Interviewees include David Byrne, Cee Lo Green, George Clinton, De La Soul, DJ Premier, DJ Qbert, Eclectic Method, El-P, Girl Talk, Matmos, Mix Master Mike, Negativland, Public Enemy, RZA, Clyde Stubblefield, T.S. Monk.
Product Identifiers
Publisher
Duke University Press
ISBN-13
9780822348757
eBay Product ID (ePID)
8046574722
Product Key Features
Book Title
Creative License: the Law and Culture of Digital Sampling
Format
Paperback
Language
English
Topic
Law, Music
Publication Year
2011
Type
Textbook
Number of Pages
336 Pages
Dimensions
Item Height
216mm
Item Width
156mm
Additional Product Features
Country/Region of Manufacture
United States
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WORLD OF BOOKS LIMITED
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eBay item number:304489000732
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