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Lights, Camera, History : Portraying the Past in Film Perfect

Condition:
Very Good
Ships from the UK. Former library book; may include library markings. Used book that is in excellent ... Read moreAbout condition
Price:
£7.85
ApproximatelyEUR 9.31
Postage:
£8.00 (approx EUR 9.48) Economy P&P. See detailsfor postage
Located in: Dunfermline, United Kingdom
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Last updated on 12 Jun, 2024 01:45:52 BSTView all revisionsView all revisions

Item specifics

Condition
Very Good
A book that has been read and does not look new, but is in excellent condition. No obvious damage to the book cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, no underlining or highlighting of text, and no writing in the margins. Some identifying marks on the inside cover, but this is minimal. Very little wear and tear. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
Seller notes
“Ships from the UK. Former library book; may include library markings. Used book that is in ...
Features
EX-LIBRARY
Book Title
Lights, Camera, History : Portraying the Past in Film Perfect
ISBN
9781585445806
Publication Year
2007
Type
Textbook
Format
Paperback
Language
English
Publication Name
Lights, Camera, History: Portraying the Past in Film
Author
Not Available
Publisher
Texas A&M University Press
Subject
History

About this product

Product Information

This important volume addresses a number of central topics concerning how history is depicted in film. In the preface, the volume editors emphasize the importance of using film in teaching history: students will see historical films, and if they are not taught critical viewing, they will be inclined simply to accept what they see as fact. Authors of the individual chapters then explore the portrayal of history - and the uses of history - in specific films and film genres. Robert Rosenstone's In Praise of the Biopic considers such films as Reds , They Died with Their Boots On , Little Big Man , Seabiscuit , Cinderella Man , and The Grapes of Wrath . In his chapter, Geoff Pingree focuses on the big questions posed in Jay Rosenblatt's 1998 film Human Remains . Richard Francaviglia's chapter on films about the Middle East is especially timely in the post-9/11 world. One chapter, by Daniel A. Nathan, Peter Berg, and Erin Klemyk, is devoted to a single film: Martin Scorsese's urban history The Gangs of New York , which the authors see as a way of exploring complex themes of the immigrant experience. Finally, Robert Brent Toplin addresses the paradox of using an art form (film) to present history. Among other themes, he considers the impact of Patton and Platoon on military decisions and interpretations, and of Birth of a Nation and Glory on race relations. The cumulative effect is to increase the reader's understanding of the medium of film in portraying history and to stimulate the imagination as to how it can and how it should not be used. Students and teachers of history and cinema will benefit deeply from this informative and thoughtful discussion.

Product Identifiers

Publisher
Texas A&M University Press
ISBN-13
9781585445806
eBay Product ID (ePID)
92034482

Product Key Features

Author
Not Available
Publication Name
Lights, Camera, History: Portraying the Past in Film
Format
Paperback
Language
English
Subject
History
Publication Year
2007
Type
Textbook

Additional Product Features

Country/Region of Manufacture
United States

Item description from the seller

Business seller information

Better World Books Ltd
Sarah Duguid
Unit 10, Castle Industrial Centre
Queensferry Road
Dunfermline
Fife
KY11 8NT
United Kingdom
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:enohP73414838310
:xaF362248 38310
:liamEku.oc.skoobdlrowretteb@troppusku
Value added tax number:
  • GB 938775170
Trade registration number:
  • 06570267
I certify that all my selling activities will comply with all EU laws and regulations.
CRN Number:
  • 06570267
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