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Pulp Fiction to Film Noir: The Great Depression and the Development of a Gen...

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Last updated on 26 Jul, 2025 17:54:34 BSTView all revisionsView all revisions

Item specifics

Condition
Good: A book that has been read, but is in good condition. Minimal damage to the book cover eg. ...
Release Year
2012
ISBN
9780786466825

About this product

Product Identifiers

Publisher
Mcfarland & Company, Incorporated Publishers
ISBN-10
0786466820
ISBN-13
9780786466825
eBay Product ID (ePID)
112759187

Product Key Features

Book Title
Pulp Fiction to Film Noir : the Great Depression and the Development of a Genre
Number of Pages
222 Pages
Language
English
Topic
Film / General, Film / History & Criticism
Publication Year
2012
Illustrator
Yes
Genre
Performing Arts
Author
William Hare
Format
Trade Paperback

Dimensions

Item Height
0.5 in
Item Weight
14.3 Oz
Item Length
10 in
Item Width
7 in

Additional Product Features

Intended Audience
Trade
LCCN
2012-022243
Reviews
"Hare takes readers on a tour of film noir, its dark settings, its brooding, almost anti-hero heroes...Hare provides a sense of film noir both in terms of what appeared on screen and the actors, directors, authors, and others who made it possible"-- Reference & Research Book News .
Dewey Edition
23
Number of Volumes
1 vol.
Dewey Decimal
791.43/6556
Table Of Content
Table of Contents Acknowledgments Introduction One. Film Noir and the Great Depression Two. The Hammett Touch and a Huston Launching Three. Raymond Chandler and His Symphony of the Streets Four. Captain Joseph Shaw and the Flowering of Film Noir Five. Horace McCoy's Dance Marathon Six. Chandler's Blueprint for Mystery and His Career in Hollywood Seven. The Outsider and Film Noir Eight. Bogart's Dark Passage and Moorehead's Blockbuster Performance Nine. Berlin and Vienna, Film Noir Inuences Ten. Siodmak's Phantom Femmes Eleven. Billy Wilder and Alcoholism Noir Twelve. Preminger's Noir Touch with Fallen Angel and Alice Faye Chapter Notes Bibliography Index
Synopsis
During the Great Depression, pulp fiction writers created a new, distinctly American detective story, one that stressed the development of fascinating, often bizarre characters rather than the twists and turns of clever plots. This new crime fiction adapted brilliantly to the screen, birthing a cinematic genre that French cinema intellectuals following World War II christened "film noir." Set on dark streets late at night, in cheap hotels and bars, and populated by the dangerous people who frequented these locales, these films introduced a new antihero, a tough, brooding, rebellious loner, embodied by Humphrey Bogart as Sam Spade in The Maltese Falcon and Philip Marlowe in The Big Sleep . This volume provides a detailed exploration of film noir, tracing its evolution, the influence of such legendary writers as Dashiell Hammett and Raymond Chandler, and the films that propelled this dark genre to popularity in the mid-20th century., During the Great Depression, pulp fiction writers created a new, distinctly American detective story, one that stressed the development of fascinating, often bizarre characters rather than the twists and turns of clever plots. This provides a detailed exploration of film noir, tracing its evolution, the influence of such legendary writers as Dashiell Hammett and Raymond Chandler, and the films that propelled this dark genre to popularity.
LC Classification Number
PN1995.9.F54H396

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