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Dancing With the Revolution : Power, Politics, and Privilege in Cuba, Paperba...
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eBay item number:353748965399
Item specifics
- Condition
- Book Title
- Dancing With the Revolution : Power, Politics, and Privilege in C
- ISBN
- 9781469662978
- Subject Area
- Performing Arts, Sports & Recreation, History
- Publication Name
- Dancing with the Revolution : Power, Politics, and Privilege in Cuba
- Publisher
- University of North Carolina Press
- Item Length
- 9.2 in
- Subject
- Dance / History & Criticism, General, Caribbean & West Indies / Cuba
- Publication Year
- 2021
- Series
- Envisioning Cuba Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 1 in
- Item Weight
- 16.2 Oz
- Item Width
- 6.1 in
- Number of Pages
- 320 Pages
About this product
Product Identifiers
Publisher
University of North Carolina Press
ISBN-10
1469662973
ISBN-13
9781469662978
eBay Product ID (ePID)
17050087338
Product Key Features
Number of Pages
320 Pages
Publication Name
Dancing with the Revolution : Power, Politics, and Privilege in Cuba
Language
English
Publication Year
2021
Subject
Dance / History & Criticism, General, Caribbean & West Indies / Cuba
Type
Textbook
Subject Area
Performing Arts, Sports & Recreation, History
Series
Envisioning Cuba Ser.
Format
Trade Paperback
Dimensions
Item Height
1 in
Item Weight
16.2 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2020-044098
Reviews
Elizabeth Schwall has written a fascinating book about culture and politics in Cuba [that] explores the development of concert dance--including ballet, modern dance, and so-called folkloric dance--from the 1930s through the 1980s, with particularly rich insight into the 1960s and 1970s. Although we have many excellent studies of Cuban arts and culture, Schwall's book stands out."-- Hispanic American Historical Review, Schwall has written a fascinating book about culture and politics in Cuba [that] explores the development of concert dance--including ballet, modern dance, and so-called folkloric dance--from the 1930s through the 1980s, with particularly rich insight into the 1960s and 1970s. Although we have many excellent studies of Cuban arts and culture, Schwall's book stands out."-- Hispanic American Historical Review, Schwall should be commended for contributing to our understanding of Cuban history in substantive ways, for underscoring the importance of culture as a form of politics, and for sharing the details of professional dancers' careers and struggles that have largely been silenced or forgotten."-- The Americas
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
792.8097291
Synopsis
Elizabeth B. Schwall aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Schwall analyzes how and why dance artists interacted with republican and, later, revolutionary politics. Drawing on written and visual archives, including intriguing exchanges between dancers and bureaucrats, Schwall argues that Cuban dancers used their bodies and ephemeral, nonverbal choreography to support and critique political regimes and cultural biases.As esteemed artists, Cuban dancers exercised considerable power and influence. They often used their art to posit more radical notions of social justice than political leaders were able or willing to implement. After 1959, while generally promoting revolutionary projects like mass education and internationalist solidarity, they also took risks by challenging racial prejudice, gender norms, and censorship, all of which could affect dancers personally. On a broader level, Schwall shows that dance, too often overlooked in histories of Latin America and the Caribbean, provides fresh perspectives on what it means for people, and nations, to move through the world., Aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Elizabeth Schwall analyzes how and why dance artists interacted with republican and, later, revolutionary politics., Elizabeth B. Schwall aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Schwall analyzes how and why dance artists interacted with republican and, later, revolutionary politics. Drawing on written and visual archives, including intriguing exchanges between dancers and bureaucrats, Schwall argues that Cuban dancers used their bodies and ephemeral, nonverbal choreography to support and critique political regimes and cultural biases. As esteemed artists, Cuban dancers exercised considerable power and influence. They often used their art to posit more radical notions of social justice than political leaders were able or willing to implement. After 1959, while generally promoting revolutionary projects like mass education and internationalist solidarity, they also took risks by challenging racial prejudice, gender norms, and censorship, all of which could affect dancers personally. On a broader level, Schwall shows that dance, too often overlooked in histories of Latin America and the Caribbean, provides fresh perspectives on what it means for people, and nations, to move through the world.
LC Classification Number
GV1632.C9S38 2021
ebay_catalog_id
4
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