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Parables for the Virtual : Movement, Affect, Sensation, Hardcover by Massumi,...
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Item specifics
- Condition
- Book Title
- Parables for the Virtual : Movement, Affect, Sensation
- ISBN
- 9780822328827
- Subject Area
- Psychology, Medical, Philosophy
- Publication Name
- Parables for the Virtual : Movement, Affect, Sensation
- Item Length
- 9.1 in
- Publisher
- Duke University Press
- Subject
- Neurology, Mind & Body, General
- Series
- Post-Contemporary Interventions Ser.
- Publication Year
- 2002
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 1.1 in
- Item Width
- 6.3 in
- Item Weight
- 25.6 Oz
- Number of Pages
- 336 Pages
About this product
Product Information
Although the body has been the focus of much contemporary cultural theory, the models that are typically applied neglect the most salient characteristics of embodied existence--movement, affect, and sensation--in favor of concepts derived from linguistic theory. In Parables for the Virtual Brian Massumi views the body and media such as television, film, and the Internet, as cultural formations that operate on multiple registers of sensation beyond the reach of the reading techniques founded on the standard rhetorical and semiotic models. Renewing and assessing William James's radical empiricism and Henri Bergson's philosophy of perception through the filter of the post-war French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. If such concepts are as fundamental as signs and significations, he argues, then a new set of theoretical issues appear, and with them potential new paths for the wedding of scientific and cultural theory. Replacing the traditional opposition of literal and figural with new distinctions between stasis and motion and between actual and virtual, Parables for the Virtual tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan's acting career. The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multi-faceted argument.
Product Identifiers
Publisher
Duke University Press
ISBN-10
0822328828
ISBN-13
9780822328827
eBay Product ID (ePID)
2169343
Product Key Features
Publication Name
Parables for the Virtual : Movement, Affect, Sensation
Format
Hardcover
Language
English
Subject
Neurology, Mind & Body, General
Series
Post-Contemporary Interventions Ser.
Publication Year
2002
Type
Textbook
Subject Area
Psychology, Medical, Philosophy
Number of Pages
336 Pages
Dimensions
Item Length
9.1 in
Item Height
1.1 in
Item Width
6.3 in
Item Weight
25.6 Oz
Additional Product Features
LCCN
2001-056858
Lc Classification Number
B105.M65m37 2002
Reviews
"This is an extraordinary work of scholarship and thought, the most thorough-going critique and reformulation of the culture doctrine that I have read in years. Massumi's prose has a dazzling and sometimes cutting clarity, and yet he bites into very big issues. People will be reading and talking about Parables for the Virtual for a long time to come."-- Meaghan Morris, author of Too Soon Too Late: History in Popular Culture, "After Bergson, Whitehead, Deleuze, and Guattari, the great radical empiricist protest against naïve objectivism and naïve subjectivism resonates again, bringing wonder back into the most common day experiences. After reading Brian Massumi you will never listen to Sinatra or watch a soccer game the same way again."--Isabelle Stengers, Free University of Brussels, "After Bergson, Whitehead, Deleuze, and Guattari, the great radical empiricist protest against nave objectivism and nave subjectivism resonates again, bringing wonder back into the most common day experiences. After reading Brian Massumi you will never listen to Sinatra or watch a soccer game the same way again."--Isabelle Stengers, Free University of Brussels, "Have you been disappointed by books that promise to bring 'the body' or 'corporeality' back into culture? Well, your luck is about to change. In this remarkable book Brian Massumi transports us from the dicey intersection between movement and sensation, through insightful explorations of affect and body image, to a creative reconfiguration of the 'nature-culture continuum.' The writing is experimental and adventurous, as one might expect from a writer who finds inventiveness to be the most distinctive attribute of thinking. The perspective Massumi unfolds will have a major effect on cultural theory for years to come."-William Connolly, Johns Hopkins University, "This is an extraordinary work of scholarship and thought, the most thorough-going critique and reformulation of the culture doctrine that I have read in years. Massumi's prose has a dazzling and sometimes cutting clarity, and yet he bites into very big issues. People will be reading and talking about Parables for the Virtual for a long time to come."- Meaghan Morris, author of Too Soon Too Late: History in Popular Culture, "This is an extraordinary work of scholarship and thought, the most thorough-going critique and reformulation of the culture doctrine that I have read in years. Massumi's prose has a dazzling and sometimes cutting clarity and yet he bites into very big issues. People will be reading and talking about Parables for the Virtual for a long time to come."- Meaghan Morris, author of Too Soon Too Late: History in Popular Culture"What you did subtract in order to get cozy definitions you will never get again starting from those definitions! After Bergson, Whitehead, Deleuze and Guattari, the great radical empiricist protest against both naïve objectivism and naïve subjectivism resonates again. Right or wrong is not the issue, but bringing back wonder into the most common day experiences, vitualizing any common-day experience through a 'free and savage creation of concepts': Anglo-American philosophy the killing of which Gilles Deleuze mourned is born again! After reading Brian Massumi you should never be able to listen to Sinatra or watch a football game the same way."-Isabelle Stengers, Free University of Brussels, “Have you been disappointed by books that promise to bring ‘the body’ or ‘corporeality’ back into culture? Well, your luck is about to change. In this remarkable book Brian Massumi transports us from the dicey intersection between movement and sensation, through insightful explorations of affect and body image, to a creative reconfiguration of the ‘nature-culture continuum.’ The writing is experimental and adventurous, as one might expect from a writer who finds inventiveness to be the most distinctive attribute of thinking. The perspective Massumi unfolds will have a major effect on cultural theory for years to come.â€�-William Connolly, Johns Hopkins University, "This is an extraordinary work of scholarship and thought, the most thorough-going critique and reformulation of the culture doctrine that I have read in years. Massumi's prose has a dazzling and sometimes cutting clarity and yet he bites into very big issues. People will be reading and talking about Parables for the Virtual for a long time to come."- Meaghan Morris, author of Too Soon Too Late: History in Popular Culture "What you did subtract in order to get cozy definitions you will never get again starting from those definitions! After Bergson, Whitehead, Deleuze and Guattari, the great radical empiricist protest against both nave objectivism and nave subjectivism resonates again. Right or wrong is not the issue, but bringing back wonder into the most common day experiences, vitualizing any common-day experience through a 'free and savage creation of concepts': Anglo-American philosophy the killing of which Gilles Deleuze mourned is born again! After reading Brian Massumi you should never be able to listen to Sinatra or watch a football game the same way."-Isabelle Stengers, Free University of Brussels, "It is not enough to describe Massumi's book as a brilliant achievement. Seldom do we see a political thinker develop his or her ideas with such scrupulous attention to everyday human existence, creating a marvelously fluid architecture of thought around the fundamental question of what the fact of human embodiment does to the activity of thinking. Massumi's vigorous critique of both social-constructionist and essentialist theorizations of embodied practices renews the Deleuzian tradition of philosophy for our times."-Dipesh Chakrabarty, University of Chicago, "Have you been disappointed by books that promise to bring 'the body' or 'corporeality' back into culture? Well, your luck is about to change. In this remarkable book Brian Massumi transports us from the dicey intersection between movement and sensation, through insightful explorations of affect and body image, to a creative reconfiguration of the 'nature-culture continuum.' The writing is experimental and adventurous, as one might expect from a writer who finds inventiveness to be the most distinctive attribute of thinking. The perspective Massumi unfolds will have a major effect on cultural theory for years to come."--William Connolly, Johns Hopkins University, "After Bergson, Whitehead, Deleuze, and Guattari, the great radical empiricist protest against naïve objectivism and naïve subjectivism resonates again, bringing wonder back into the most common day experiences. After reading Brian Massumi you will never listen to Sinatra or watch a soccer game the same way again."-Isabelle Stengers, Free University of Brussels, "It is not enough to describe Massumi's book as a brilliant achievement. Seldom do we see a political thinker develop his or her ideas with such scrupulous attention to everyday human existence, creating a marvelously fluid architecture of thought around the fundamental question of what the fact of human embodiment does to the activity of thinking. Massumi's vigorous critique of both social-constructionist and essentialist theorizations of embodied practices renews the Deleuzian tradition of philosophy for our times."--Dipesh Chakrabarty, University of Chicago, “This is an extraordinary work of scholarship and thought, the most thorough-going critique and reformulation of the culture doctrine that I have read in years. Massumi's prose has a dazzling and sometimes cutting clarity, and yet he bites into very big issues. People will be reading and talking about Parables for the Virtual for a long time to come.â€�- Meaghan Morris, author of Too Soon Too Late: History in Popular Culture
Table of Content
Acknowledgments Introduction: Concrete Is as Concrete Doesn't 1. The Autonomy of Affect 2. The Bleed: Where Body Meets Image 3. The Political Economy of Belonging and the Logic of Relation 4. The Evolutionary Alchemy of Reason: Stelarc 5. On the Superiority of the Analog 6. Chaos in the "Total Field" of Vision 7. The Brightness Confound 8. Strange Horizon: Buildings, Biograms, and the Body Topologic 9. Too-Blue: Color-Patch for an Expanded Empiricism Notes Works Cited Index
Copyright Date
2002
Target Audience
Scholarly & Professional
Dewey Decimal
128/.6
Dewey Edition
21
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