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Open Secrets: The Literature of Uncounted Experience (Meridian: Crossing Aesthet
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eBay item number:364027277792
Item specifics
- Condition
- Good
- Seller notes
- ISBN
- 9780804752534
- Publication Name
- Open Secrets : the Literature of Uncounted Experience
- Item Length
- 9in
- Publisher
- Stanford University Press
- Publication Year
- 2007
- Series
- Meridian: Crossing Aesthetics Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.6in
- Item Width
- 6in
- Item Weight
- 23.5 Oz
- Number of Pages
- 328 Pages
About this product
Product Information
Open Secrets contests the dominant influences of utilitarianism, expressive individualism, and imperatives to self-improvement by examining a series of texts in which "nothing happens" and arguing that these works, far from hiding from narrative demands, make an open secret of fulfilled experience and yield a revelation without insistence or rhetorical underscoring.
Product Identifiers
Publisher
Stanford University Press
ISBN-10
0804752532
ISBN-13
9780804752534
eBay Product ID (ePID)
60208233
Product Key Features
Publication Name
Open Secrets : the Literature of Uncounted Experience
Format
Hardcover
Language
English
Publication Year
2007
Series
Meridian: Crossing Aesthetics Ser.
Type
Textbook
Number of Pages
328 Pages
Dimensions
Item Length
9in
Item Height
0.6in
Item Width
6in
Item Weight
23.5 Oz
Additional Product Features
Lc Classification Number
Pr468
Reviews
"Reader, beware: this ambitious book aims to change our entire literary-critical perspective. Its 'mirror of steel uninsistence' (to adapt Marianne Moore's phrase) brings out in the poets and novelists discussed the non-teleological aspects of their work, the incidence of 'non-emphatic revelation,' the presence of an 'open secret' attributed by Goethe to Nature itself. In seeking to change a mode of discourse, by shifting its terminological axis from action to a contemplative and passionate recessiveness, Francois makes us see a counterplot to fiction's 'powers of plot,' so that evanescence, and even inconsequence, are given their weight, or more precisely a 'weightless gain.' It is a book no reader concerned about the 'nothingness' of literary reflection can lightly pass by."--Geoffrey Hartman, Yale University, "The greatest merit of Open Secrets is the way in which its attention to the intrinsic sufficiency of minimal experiences allows us to appreciate the continuity between many of the dominant critical paradigms in postmodern thought and Enlightenment models of action-as-production Francois's readings of literature not only reveal a stunning capacity to concentrate on formal details, but also to manage to put forward interpretations that future critics of the works in question will likely have to contend with for a long time to come." -- Postmodern Culture, "Reader, beware: this ambitious book aims to change our entire literary-critical perspective. Its 'mirror of steel uninsistence' (to adapt Marianne Moore's phrase) brings out in the poets and novelists discussed the non-teleological aspects of their work, the incidence of 'non-emphatic revelation,' the presence of an 'open secret' attributed by Goethe to Nature itself. In seeking to change a mode of discourse, by shifting its terminological axis from action to a contemplative and passionate recessiveness, Francois makes us see a counterplot to fiction's 'powers of plot,' so that evanescence, and even inconsequence, are given their weight, or more precisely a 'weightless gain.' It is a book no reader concerned about the 'nothingness' of literary reflection can lightly pass by." -Geoffrey Hartman, Sterling Professor Emeritus, Yale University., "Reader, beware: this ambitious book aims to change our entire literary-critical perspective. Its 'mirror of steel uninsistence' (to adapt Marianne Moore's phrase) brings out in the poets and novelists discussed the non-teleological aspects of their work, the incidence of 'non-emphatic revelation,' the presence of an 'open secret' attributed by Goethe to Nature itself. In seeking to change a mode of discourse, by shifting its terminological axis from action to a contemplative and passionate recessiveness, Francois makes us see a counterplot to fiction's 'powers of plot,' so that evanescence, and even inconsequence, are given their weight, or more precisely a 'weightless gain.' It is a book no reader concerned about the 'nothingness' of literary reflection can lightly pass by."—Geoffrey Hartman, Yale University, "The greatest merit of Open Secrets is the way in which its attention to the intrinsic sufficiency of minimal experiences allows us to appreciate the continuity between many of the dominant critical paradigms in postmodern thought and Enlightenment models of action-as-production Francois's readings of literature not only reveal a stunning capacity to concentrate on formal details, but also to manage to put forward interpretations that future critics of the works in question will likely have to contend with for a long time to come." — Postmodern Culture, "The greatest merit of Open Secrets is the way in which its attention to the intrinsic sufficiency of minimal experiences allows us to appreciate the continuity between many of the dominant critical paradigms in postmodern thought and Enlightenment models of action-as-production Francois's readings of literature not only reveal a stunning capacity to concentrate on formal details, but also to manage to put forward interpretations that future critics of the works in question will likely have to contend with for a long time to come." - Postmodern Culture, "Open Secretsis a profoundly original and exquisitely written book, one of the most important publications in its field in many years. Anne-Lise François develops here an idiom that can help us attend to the quiet mystery of literary experience-an experience that claims us but makes no demand on us, and retreats from any demand we address to it. Carefully distinguishing her concerns from those of deconstruction, new historicism, and other critical positions, and engaging relevant aspects of the thought of many theorists of desire, representation, and subjectivity, François elaborates a critical perspective that at once seeks to remain faithful to literary instances of "event-less experience," yet also teaches us how much can be said in the proximity of such moments." -Marc Redfield, The Claremont Graduate University, " Open Secrets is a profoundly original and exquisitely written book, one of the most important publications in its field in many years. Anne-Lise François develops here an idiom that can help us attend to the quiet mystery of literary experience-an experience that claims us but makes no demand on us, and retreats from any demand we address to it. Carefully distinguishing her concerns from those of deconstruction, new historicism, and other critical positions, and engaging relevant aspects of the thought of many theorists of desire, representation, and subjectivity, François elaborates a critical perspective that at once seeks to remain faithful to literary instances of "event-less experience," yet also teaches us how much can be said in the proximity of such moments." -Marc Redfield, The Claremont Graduate University, " Open Secrets is a profoundly original and exquisitely written book, one of the most important publications in its field in many years. Anne-Lise François develops here an idiom that can help us attend to the quiet mystery of literary experience—an experience that claims us but makes no demand on us, and retreats from any demand we address to it. Carefully distinguishing her concerns from those of deconstruction, new historicism, and other critical positions, and engaging relevant aspects of the thought of many theorists of desire, representation, and subjectivity, François elaborates a critical perspective that at once seeks to remain faithful to literary instances of "event-less experience," yet also teaches us how much can be said in the proximity of such moments." —Marc Redfield, The Claremont Graduate University, "Open Secretsis a profoundly original and exquisitely written book, one of the most important publications in its field in many years. Anne-Lise Francois develops here an idiom that can help us attend to the quiet mystery of literary experience--an experience that claims us but makes no demand on us, and retreats from any demand we address to it. Carefully distinguishing her concerns from those of deconstruction, new historicism, and other critical positions, and engaging relevant aspects of the thought of many theorists of desire, representation, and subjectivity, Francois elaborates a critical perspective that at once seeks to remain faithful to literary instances of "event-less experience," yet also teaches us how much can be said in the proximity of such moments." --Marc Redfield, The Claremont Graduate University, "The dazzling analyses on display in Open Secrets are so original and far-reaching that, taken together, they constitute something like a new paradigm for literary study. Attentive to the unattended and the inconspicuously significant, Francois teases out the real dynamics in one resonant example after another, in the lyric and the novel. An altogether singular achievement that will be reckoned with for years to come."-Ian Balfour, York University, "The dazzling analyses on display inOpen Secretsare so original and far-reaching that, taken together, they constitute something like a new paradigm for literary study. Attentive to the unattended and the inconspicuously significant, Francois teases out the real dynamics in one resonant example after another, in the lyric and the novel. An altogether singular achievement that will be reckoned with for years to come."--Ian Balfour, York University, "The dazzling analyses on display in Open Secrets are so original and far-reaching that, taken together, they constitute something like a new paradigm for literary study. Attentive to the unattended and the inconspicuously significant, Francois teases out the real dynamics in one resonant example after another, in the lyric and the novel. An altogether singular achievement that will be reckoned with for years to come."--Ian Balfour, York University, Open Secrets is a profoundly original and exquisitely written book, one of the most important publications in its field in many years. Anne-Lise François develops here an idiom that can help us attend to the quiet mystery of literary experience—an experience that claims us but makes no demand on us, and retreats from any demand we address to it. Carefully distinguishing her concerns from those of deconstruction, new historicism, and other critical positions, and engaging relevant aspects of the thought of many theorists of desire, representation, and subjectivity, François elaborates a critical perspective that at once seeks to remain faithful to literary instances of event-less experience," yet also teaches us how much can be said in the proximity of such moments." —Marc Redfield, The Claremont Graduate University, "The greatest merit ofOpen Secretsis the way in which its attention to the intrinsic sufficiency of minimal experiences allows us to appreciate the continuity between many of the dominant critical paradigms in postmodern thought and Enlightenment models of action-as-production Francois's readings of literature not only reveal a stunning capacity to concentrate on formal details, but also to manage to put forward interpretations that future critics of the works in question will likely have to contend with for a long time to come." --Postmodern Culture, "The dazzling analyses on display in Open Secrets are so original and far-reaching that, taken together, they constitute something like a new paradigm for literary study. Attentive to the unattended and the inconspicuously significant, Francois teases out the real dynamics in one resonant example after another, in the lyric and the novel. An altogether singular achievement that will be reckoned with for years to come."—Ian Balfour, York University, "Reader, beware: this ambitious book aims to change our entire literary-critical perspective. Its 'mirror of steel uninsistence' (to adapt Marianne Moore's phrase) brings out in the poets and novelists discussed the non-teleological aspects of their work, the incidence of 'non-emphatic revelation,' the presence of an 'open secret' attributed by Goethe to Nature itself. In seeking to change a mode of discourse, by shifting its terminological axis from action to a contemplative and passionate recessiveness, Francois makes us see a counterplot to fiction's 'powers of plot,' so that evanescence, and even inconsequence, are given their weight, or more precisely a 'weightless gain.' It is a book no reader concerned about the 'nothingness' of literary reflection can lightly pass by."-Geoffrey Hartman, Yale University, " Open Secrets is a profoundly original and exquisitely written book, one of the most important publications in its field in many years. Anne-Lise François develops here an idiom that can help us attend to the quiet mystery of literary experience--an experience that claims us but makes no demand on us, and retreats from any demand we address to it. Carefully distinguishing her concerns from those of deconstruction, new historicism, and other critical positions, and engaging relevant aspects of the thought of many theorists of desire, representation, and subjectivity, François elaborates a critical perspective that at once seeks to remain faithful to literary instances of "event-less experience," yet also teaches us how much can be said in the proximity of such moments." --Marc Redfield, The Claremont Graduate University, "The dazzling analyses on display inOpen Secretsare so original and far-reaching that, taken together, they constitute something like a new paradigm for literary study. Attentive to the unattended and the inconspicuously significant, Francois teases out the real dynamics in one resonant example after another, in the lyric and the novel. An altogether singular achievement that will be reckoned with for years to come."-Ian Balfour, York University
Copyright Date
2008
Topic
European / French, General, American / General, European / English, Irish, Scottish, Welsh
Lccn
2007-011283
Dewey Decimal
809/.9353
Intended Audience
Scholarly & Professional
Dewey Edition
22
Genre
Literary Criticism
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eBay item number:364027277792
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