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CineWorlding: Scenes of Cinematic Research-Creat ion by Professor or Dr. Michael
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Item specifics
- Condition
- ISBN-13
- 9781501369391
- Book Title
- CineWorlding
- ISBN
- 9781501369391
- Publication Year
- 2023
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Publication Name
- Cineworlding : Scenes of Cinematic Research-Creation
- Item Height
- 0.8in
- Item Length
- 9in
- Publisher
- Bloomsbury Academic & Professional
- Item Width
- 6in
- Item Weight
- 21 Oz
- Number of Pages
- 320 Pages
About this product
Product Information
Using cine-ethnomusicology as a focus, Cineworlding introduces readers to ways of thinking eco-cinematically. Screens are omnipresent, we carry digital cinema production equipment in our pockets, but this screen-based technological revolution has barely impacted social science scholarship. Mixing existential phenomenological fiction about social science digital cinema research practice followed by theoretical reflection and discussion of methods, this book has emerged from a decade-long inquiry into cineworlding and a desire to help others produce digital media to engage creatively with the digital networks that surround us.
Product Identifiers
Publisher
Bloomsbury Academic & Professional
ISBN-10
1501369393
ISBN-13
9781501369391
eBay Product ID (ePID)
16057256183
Product Key Features
Publication Name
Cineworlding : Scenes of Cinematic Research-Creation
Format
Hardcover
Language
English
Publication Year
2023
Type
Textbook
Number of Pages
320 Pages
Dimensions
Item Length
9in
Item Height
0.8in
Item Width
6in
Item Weight
21 Oz
Additional Product Features
Lc Classification Number
Pn1995.M226 2023
Reviews
"Don't try to contain it, or sequester it in a discipline, or organize it into a method. CineWorlding is more-than making a film, it is the very making-thinking worlding calls for when it becomes cinematic. More-than human, more-than sited, cineworlding is a practice that must be experimented to do its work. It is neither your work alone, nor mine. It is what occurs in the interstices, in the ecotone 'where individual ecologies, digital cinema technology ecosystem, ethnographic research ecosystem, philosophy ecosystem, cinematic art ecosystem interfere/entangle/interpenetrate each other to produce a rich ecological zone where new complex beings proliferate.' Take cineworlding as a lure and move it into your pedagogical practices. Make it a technique, and be made by it." -- Erin Manning, Professor of Studio Arts and Cinema, Concordia University, Canada, " CineWorlding is a deep dive into MacDonald's highly original approach to digital audiovisual filmmaking and perhaps the most nuanced articulation of research-creation yet to come out of music studies. Ethnomusicology is exploding. CineWorlding throws fuel on the flames and offers exciting new critical pathways for scholars and students." -- Ellen Waterman, Professor, Helmut Kallmann Chair for Music in Canada, and Director, Research Centre for Music, Sound, and Society in Canada, Carleton University, Canada "Don't try to contain it, or sequester it in a discipline, or organize it into a method. CineWorlding is more-than making a film, it is the very making-thinking worlding calls for when it becomes cinematic. More-than human, more-than sited, cineworlding is a practice that must be experimented to do its work. It is neither your work alone, nor mine. It is what occurs in the interstices, in the ecotone 'where individual ecologies, digital cinema technology ecosystem, ethnographic research ecosystem, philosophy ecosystem, cinematic art ecosystem interfere/entangle/interpenetrate each other to produce a rich ecological zone where new complex beings proliferate.' Take cineworlding as a lure and move it into your pedagogical practices. Make it a technique, and be made by it." -- Erin Manning, Professor of Studio Arts and Cinema, Concordia University, Canada "With CineWorlding , musician, ethnographer and filmmaker Michael MacDonald poetically demonstrates how the cinematic medium creates new forms of thinking, knowing, and experiencing the audio-visual world we increasingly inhabit." -- Christopher Salter, Professor of Immersive Arts, Zurich University of the Arts, Switzerland, Don't try to contain it, or sequester it in a discipline, or organize it into a method. CineWorlding is more-than making a film, it is the very making-thinking worlding calls for when it becomes cinematic. More-than human, more-than sited, cineworlding is a practice that must be experimented to do its work. It is neither your work alone, nor mine. It is what occurs in the interstices, in the ecotone 'where individual ecologies, digital cinema technology ecosystem, ethnographic research ecosystem, philosophy ecosystem, cinematic art ecosystem interfere/entangle/interpenetrate each other to produce a rich ecological zone where new complex beings proliferate.' Take cineworlding as a lure and move it into your pedagogical practices. Make it a technique, and be made by it.
Table of Content
Acknowledgements Introduction: A Cinematic Style of Thought 1. CineWorlding with Musics' Undercommons 2. A Worlding Proposition For/From an Alternate Reality 3. Living Flame of Love: Creative Practice Research and Practical Musicology 4. Virtual and Actual in Posthumanography 5. Diagrammatic Posthumanography of Margø's "In Between" 6. Bodying in Intensive and Extensive Spaces: "John Wort Hannam is a Poor Man" 7. Quartet 2 and Affective Vectoring 8. Crystal Image in Cinematic Research-Creation: Pimachihowan, A Case Study 9. The Crowd Behind the Lens: We're Too Loud 10. Elders' Room: The Opportunities and Challenges of Decoloniality 11. Activist Minor Cinema Notes Index
Target Audience
College Audience
Topic
Film / General, Philosophy & Social Aspects, Ethnomusicology
Lccn
2022-028546
Dewey Decimal
791.4301
Dewey Edition
23
Genre
Music, Performing Arts
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