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Omnibus Films: Theorizing Transauthorial Cinema by David Scott Diffrient (Englis

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Item specifics

Condition
New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
ISBN-13
9780748695669
Book Title
Omnibus Films
ISBN
9780748695669
Publication Year
2014
Type
Textbook
Format
Trade Paperback
Language
English
Publication Name
Omnibus Films : Theorizing Transauthorial Cinema
Item Height
0.6in
Author
David Scott Diffrient
Item Length
6.1in
Publisher
Edinburgh Tea & Coffee Company University Press
Item Width
9.1in
Item Weight
15.3 Oz
Number of Pages
288 Pages

About this product

Product Information

As the first book-length exploration of internationally distributed, multi-director episode films, Omnibus Films fills a considerable gap in the history of world cinema and aims to expand contemporary understandings of authorship, genre, narrative, and transnational production and reception.

Product Identifiers

Publisher
Edinburgh Tea & Coffee Company University Press
ISBN-10
0748695664
ISBN-13
9780748695669
eBay Product ID (ePID)
201644040

Product Key Features

Author
David Scott Diffrient
Publication Name
Omnibus Films : Theorizing Transauthorial Cinema
Format
Trade Paperback
Language
English
Publication Year
2014
Type
Textbook
Number of Pages
288 Pages

Dimensions

Item Length
6.1in
Item Height
0.6in
Item Width
9.1in
Item Weight
15.3 Oz

Additional Product Features

Lc Classification Number
Pn1995.9.A837d54
Reviews
Accused as either "ramshackle" filmmaking or acclaimed for savvy "acuteness and prankishness," the under-appreciated "omnibus" film is rewardingly studied here by David Scott Diffrient. Described as a "meta-genre", Diffrient precisely and comprehensively discusses these films' rich history and their transauthorial dynamic aesthetics. By doing so, Omnibus Films: Theorizing Transauthorial Cinema situates the unique place in film history that these films hold.
Table of Content
Acknowledgements; Part I: Historical and Theoretical Perspectives; 1. 'Beginnings without Ends': Conceptual Parameters and the Critical Discourses of Episodic Cinema; 2. A Cinema of Regulated Variety and Excess: Antecedents and Extensions of Episodic Cinema; 3. Key Concepts in Transauthorial Cinema: Abundance, Change, Containment, and Order; 4. Key Concepts in Film Studies: Audience, Authorship, Genre, and Nation; Part II: Get on the Omnibus: Case Studies in Transauthorial Cinema; 5. Wartime Consensus Pictures and the 'Housing' of History: From Forever and a Day to Dead of Night; 6. Three Cases of Maugham: Quartet, Trio, and Encore; 7. Episodic Erotics and the Politics of Place: From Love in the City to Love and Anger; 8. Collective Opposition, Political Participation, and Worldwide Competition: From Visions of Eight to Visions of Europe; 9. The Recent Revival of the Omnibus Film: From Paris, je t'aime to 11'09"01; Filmography; Notes; Index
Copyright Date
2014
Target Audience
College Audience
Topic
Film / General, Film / Référence, Film / Screenwriting, Film / Direction & Production, Film / History & Criticism
Dewey Decimal
791.43
Dewey Edition
23
Illustrated
Yes
Genre
Performing Arts

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