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Movies As Politics, Paperback by Rosenbaum, Jonathan, Brand New, Free shippin...
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eBay item number:364666332525
Item specifics
- Condition
- ISBN
- 9780520206151
- Book Title
- Movies As Politics
- Publisher
- University of California Press
- Item Length
- 9 in
- Publication Year
- 1997
- Format
- Trade Paperback
- Language
- English
- Item Height
- 1 in
- Genre
- Performing Arts
- Topic
- Film / General, Film / History & Criticism
- Item Weight
- 16 Oz
- Item Width
- 6 in
- Number of Pages
- 350 Pages
About this product
Product Identifiers
Publisher
University of California Press
ISBN-10
0520206150
ISBN-13
9780520206151
eBay Product ID (ePID)
390683
Product Key Features
Book Title
Movies As Politics
Number of Pages
350 Pages
Language
English
Publication Year
1997
Topic
Film / General, Film / History & Criticism
Genre
Performing Arts
Format
Trade Paperback
Dimensions
Item Height
1 in
Item Weight
16 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
96-009916
Table Of Content
Acknowledgments How to Live in Air Conditioning One The Politics of Form Language, Representation, Narrative Say the Right Thing (DO THE RIGHT THING) Interruption as Style: Bufiuel's THE DISCREET CHARM OF THE BOURGEOISIE Polanski and the American Experiment (BITTER MOON) Utopian Space and Urban Encounters Tati's Democracy His Mistress's Voice: Akerman's NIGHT AND DAY Seen and Unseen Encounters: Kieslowski's RED Chance and Control Altman and the Spirit of Improvisation (CALIFORNIA SPLIT) Lies of the Mind (TALKING TO STRANGERS) Classification and Genre: Musical Ghettos On LATCHO DROM Four Books on the Hollywood Musical Two Entertainment as Oppression: The Hollywood Apparatus Entertainment as Oppression Missing the Target Spielberg's Gentiles (SCHINDLER's LIST) The Solitary Pleasures of STAR WARS Jack Reed's Christmas Puppy: Reflections on REDS A Perversion of the Past (MISSISSIPPI BURNING) Circle of Pain: The Cinema of Nicholas Ray Vietnam, the Theme Park (HEARTS OF DARKNESS: A FILMMAKER'S APOCALYPSE) Sexual Discourse (THE PIANO) Hollywood Radical (MALCOLM X) ACE VENTURA Reconsidered The World According to Harvey and Bob (SMOKE, THE GLASS SHIELD) Stupidity as Redemption (FORREST GUMP) Allusion Profusion (ED WOOD, PULP FICTION) Three I Issues of Ideology Alternatives The Problem with Poetry: Leos Carax No Stars, a Must-See (THE PLOT AGAINST HARRY) The Rattle of Armor, the Softness of Flesh: Bresson's LANCELOT DULAC The Functions of a Disease (SAFE) England on the Inside: The Films of Mike Leigh Political Subjects The Significance of Sniggering: Zwigoff's CRUMB Jean Eustache's LA MAMAN ET LA PUTAIN Film Writing Degree Zero: The Marketplace and the University Tribal Trouble (Atom Egoyan's CALENDAR) Us and Them (BLOOD IN THE FACE) Other Cinemas Feudal Attraction (JU DOU) The Vision of the Conquered (Kurosawa's RHAPSODY IN AUGUST) Searching for Taiwan (THE PUPPET MASTER) Inner Space (Tarkovsky's SOLARIS) Tribal Scars (Sembene's BLACK GIRL) Alternate Histories The Seven ARKADINS TIH-MINH, OUT I: On the Nonreception of Two French Serials His Twentieth Century: Godard's HISTOIRE(S) DU CINEMA Pages from the Endfield File On Second Thoughts (Marker's THE LAST BOLSHEVIK) Index
Synopsis
In this new collection of reviews and essays, Jonathan Rosenbaum focuses on the political and social dynamics of the contemporary movie scene. Rosenbaum, widely regarded as the most gifted contemporary American commentator on the cinema, explores the many links between film and our ideological identities as individuals and as a society. Readers will find revealing examinations of, for example, racial stereotyping in the debates surrounding Do the Right Thing , key films from Africa, China, Japan, and Taiwan, Hollywood musicals and French serials, and the cultural amnesia accompanying cinematic treatments of the Russian Revolution, the civil rights movement, and the Vietnam War. From Schindler's List, Star Wars, Pulp Fiction, Forrest Gump, The Piano , and Ace Ventura: Pet Detective to the maverick careers of Orson Welles, Jacques Tati, Nicholas Ray, Chantal Akerman, Todd Haynes, and Andrei Tarkovsky, Rosenbaum offers a polemically pointed survey that makes clear the high stakes involved in every aspect of filmmaking and filmgoing., Widely regarded as the most gifted contemporary American commentator on the cinema, Jonathan Rosenbaum focuses on the political and social dynamics of the contemporary movie scene--exploring the many links between film and our ideological identities as individuals and as a society.
LC Classification Number
PN1995.9.P6R67 1997
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