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Digital Sound Studies, , Very Good Book

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HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder ... Read moreAbout condition
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Item specifics

Condition
Very Good
A book that has been read and does not look new, but is in excellent condition. No obvious damage to the book cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, no underlining or highlighting of text, and no writing in the margins. Some identifying marks on the inside cover, but this is minimal. Very little wear and tear. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
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“HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder ...
Book Title
Digital Sound Studies
ISBN
9780822370482
Item Length
9 in
Publisher
Duke University Press
Publication Year
2018
Type
Textbook
Format
Hardcover
Language
English
Illustrator
Yes
Item Height
0.6 in
Author
Darren Mueller
Genre
Education, Music, Science
Topic
Recording & Reproduction, General, Higher, Acoustics & Sound
Item Width
6 in
Item Weight
20 oz
Number of Pages
312 Pages

About this product

Product Information

The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume's contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines--including rhetoric and composition, performance studies, anthropology, history, and information science--the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. As they demonstrate, incorporating sound into scholarship is thus not only feasible but urgently necessary. Contributors. Myron M. Beasley, Regina N. Bradley, Steph Ceraso, Tanya Clement, Rebecca Dowd Geoffroy-Schwinden, W. F. Umi Hsu, Michael J. Kramer, Mary Caton Lingold, Darren Mueller, Richard Cullen Rath, Liana M. Silva, Jonathan Sterne, Jennifer Stoever, Jonathan W. Stone, Joanna Swafford, Aaron Trammell, Whitney Trettien

Product Identifiers

Publisher
Duke University Press
ISBN-10
0822370484
ISBN-13
9780822370482
eBay Product ID (ePID)
240352490

Product Key Features

Author
Darren Mueller
Book Title
Digital Sound Studies
Format
Hardcover
Language
English
Topic
Recording & Reproduction, General, Higher, Acoustics & Sound
Publication Year
2018
Type
Textbook
Illustrator
Yes
Genre
Education, Music, Science
Number of Pages
312 Pages

Dimensions

Item Length
9 in
Item Height
0.6 in
Item Width
6 in
Item Weight
20 oz

Additional Product Features

Intended Audience
Scholarly & Professional
Lc Classification Number
Az105.D55 2018
Reviews
Digital Sound Studies ... is an excellent resource for people interested in non-conventional experiences that defy standard and mainstream methods of learning and teaching within the humanities. It invites critical thought from cultural, social, and artistic frameworks, with a sustained and sustainable focus on the potential of sound and listening., Digital Sound Studies is a provocation and a resource: timely in its inquiries and generative in its scope. In chapter after chapter, the reader encounters essays written in a register of experimental play, a quality which enacts a genre-bending intellectual style predicated on listening., Digital Sound Studies fuses theory and critical thinking with creative sonic practices, a fusion that is both promising and very appealing., Digital Sound Studies offers a fascinating variety of perspectives on digital sound studies ... Works that link digital humanities and sound studies are somewhat rare, and the present volume is a rich addition to a growing body of knowledge. Summing Up: Highly recommended. Lower-division undergraduates through faculty and professionals., This text provides a contemporary possibility of classroom and research work that is innovative and communal. The essays in Digital Sound Studies examine how sound is contained but held in the body, held through the body but heard through institutions and a cacophony of additional casual, aural effects., Listen up. Be provoked. This adventurous book offers experiments, meditations, analyses, and ideas for a noisier digital humanities, for creative play with the intersection of print and sound recording, and for humanistic approaches to sound that could be rendered in the digital realm. Teachers, theorists, and scholar-artists who want to take new risks will find it timely and refreshing., Digital Sound Studies contributors prompt productive conversations even while probing assumptions behind the use of digital tools and technologies in academia. . . . These essays explore the urgency and necessity of incorporating sonic experience into scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive.
Table of Content
Preface vii Acknowledgements xi Introduction / Mary Caton Lingold, Darren Mueller, and Whitney Trettien 1 I. Theories and Genealogies 1. Ethnodigital Sonics and the Historical Imagination / Richard Cullen Rath 29 2. Performing Zora: Critical Ethnography, Digital Sound, and Not Forgetting / Myron M. Beasley 47 3. Rhetorical Folkness: Reanimating Walter J. Ong in the Pursuit of Digital Humanity / Jonathan W. Stone 64 II. Digital Communities 4. The Pleasure (Is) Principle: Sounding Out! and the Digitizing of Community / Aaron Trammell, Jennifer Lynn Stover, and Liana Silva 83 5. Becoming OutKasted: Archiving Contemporary Black Southernness in a Digtal Age / Regina N. Bradley 120 6. Reprogramming Sounds of Learning: Pedagogical Experiments with Critical Making and Community-Based Ethnography / W. F. Umi Hsu 130 III. Disciplinary Translations 7. Word. Spoken. Articulating the Voice for High-Performance Sound Technologies for Access and Scholarship (HiPSTAS) / Tanya E. Clement 155 8. "A Foreign Sound to Your Ear": Digital Image Sonification for Historical Interpretation / Michael J. Kramer 178 9. Augmenting Musical Arguments: Interdisciplinary Publishing Platforms and Augmented Notes / Joanna Swafford 215 IV. Points Forward 10. Digital Approaches to Historical Acoustemologies: Replication and Reenactment / Rebecca Dowd Geoffroy-Schwinden 231 11. Sound Practices for Digital Humanities / Steph Ceraso 250 Afterword. Demands of Duration: The Futures of Digital Sound Scholarship / Jonathan Sterne, with Mary Caton Lingold, Darren Mueller, and Whitney Trettien 267 Contributors 285 Index 291
Copyright Date
2018
Lccn
2018-003694
Dewey Decimal
001.30285
Dewey Edition
23

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