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Standing Room Only : Marketing Insights for Engaging Performing Arts...

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Last updated on 05 Apr, 2024 17:28:43 BSTView all revisionsView all revisions

Item specifics

Condition
New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
Subject Area
Performing Arts
Subject
Marketing
ISBN
9781137282934
Publication Name
Standing Room only : Marketing Insights for Engaging Performing Arts Audiences
Item Length
9.3in
Publisher
Palgrave Macmillan
Publication Year
2014
Type
Textbook
Format
Hardcover
Language
English
Item Height
1.6in
Author
Joanne Scheff Bernstein
Features
Revised
Item Width
6.1in
Item Weight
27.1 Oz
Number of Pages
Xii, 408 Pages

About this product

Product Information

Standing Room Only combines practical advice for creating a strategic marketing program and maintaining a successful performing arts organization. This revised edition lays out a framework to navigate the digital age, from online ticketing options, to marketing options in social, and mobile media.

Product Identifiers

Publisher
Palgrave Macmillan
ISBN-10
1137282932
ISBN-13
9781137282934
eBay Product ID (ePID)
176161647

Product Key Features

Author
Joanne Scheff Bernstein
Publication Name
Standing Room only : Marketing Insights for Engaging Performing Arts Audiences
Format
Hardcover
Language
English
Features
Revised
Publication Year
2014
Type
Textbook
Number of Pages
Xii, 408 Pages

Dimensions

Item Length
9.3in
Item Height
1.6in
Item Width
6.1in
Item Weight
27.1 Oz

Additional Product Features

Number of Volumes
1 Vol.
Lc Classification Number
Hf5410-5417.5
Edition Description
Revised Edition
Edition Number
2
Reviews
'Bernstein's book is equally valuable to professional arts managers who are looking for solutions to their marketing problems as it is to students who want to learn arts marketing principles for the first time. But what makes this book unique is that Joanne truly believes in the fundamental greatness and power of the arts to positively affect the people and society. She challenges us to believe in it too, and then tells us how to effectively communicate that greatness to our potential audience.' '€"Miho Ito, Arts Bridge, Inc. (Tokyo) 'The best 'crash course' in audience development in the arts there is. If you're a busy executive, you owe it to yourself to read it. You'll find compelling strategies and tried-and-true techniques, and you'll quickly see why this should be required reading for all new hires, as well as your Board. Don't reinvent the wheel'€"find out what really works!' '€"Eugene Carr, Founder & CEO, Patron Technology 'In this second edition of Standing Room Only, Bernstein includes a new paradigm for engaging consumers through social media, website development, online ticketing, blogs, email and mobile phone marketing. A compelling read and a global 'call to action''€"compulsory reading for all involved in marketing the arts.' '€"Jennifer Radbourne, Emeritus Professor, Deakin University, Australia 'An extraordinary guide for every marketing manager who wants to develop arts audiences. Anyone interested in the value of marketing in the arts should not miss this book.' '€"Lanfranco Li Cauli, Head of Marketing, Piccolo Teatro di Milano, Italy 'Having already devoured the first edition of Standing Room Only, there is a wealth of updated and new information in the second edition. A great guide to all aspects of marketing. It's like having your own consultant sitting on your bookshelf.' '€"Andreas Mitisek, Artistic & General Director, Long Beach Opera / Chicago Opera Theater, "Bernstein's book is equally valuable to professional arts managers who are looking for solutions to their marketing problems as it is to students who want to learn arts marketing principles for the first time. But what makes this book unique is that Joanne truly believes in the fundamental greatness and power of the arts to positively affect the people and society. She challenges us to believe in it too, and then tells us how to effectively communicate that greatness to our potential audience." --Miho Ito, Arts Bridge, Inc. (Tokyo) "The best 'crash course' in audience development in the arts there is. If you're a busy executive, you owe it to yourself to read it. You'll find compelling strategies and tried-and-true techniques, and you'll quickly see why this should be required reading for all new hires, as well as your Board. Don't reinvent the wheel'€"find out what really works!" --Eugene Carr, Founder & CEO, Patron Technology "In this second edition of Standing Room Only, Bernstein includes a new paradigm for engaging consumers through social media, website development, online ticketing, blogs, email and mobile phone marketing. A compelling read and a global "call to action" compulsory reading for all involved in marketing the arts." --Jennifer Radbourne, Emeritus Professor, Deakin University, Australia "An extraordinary guide for every marketing manager who wants to develop arts audiences. Anyone interested in the value of marketing in the arts should not miss this book." --Lanfranco Li Cauli, Head of Marketing, Piccolo Teatro di Milano, Italy "Having already devoured the first edition of Standing Room Only, there is a wealth of updated and new information in the second edition. A great guide to all aspects of marketing. It'€™s like having your own consultant sitting on your bookshelf." --Andreas Mitisek, Artistic & General Director, Long Beach Opera / Chicago Opera Theater, 'Bernstein's book is equally valuable to professional arts managers who are looking for solutions to their marketing problems as it is to students who want to learn arts marketing principles for the first time. But what makes this book unique is that Joanne truly believes in the fundamental greatness and power of the arts to positively affect the people and society. She challenges us to believe in it too, and then tells us how to effectively communicate that greatness to our potential audience.' Miho Ito, Arts Bridge, Inc. (Tokyo) 'The best 'crash course' in audience development in the arts there is. If you're a busy executive, you owe it to yourself to read it. You'll find compelling strategies and tried-and-true techniques, and you'll quickly see why this should be required reading for all new hires, as well as your Board. Don't reinvent the wheel find out what really works!' Eugene Carr, Founder & CEO, Patron Technology 'In this second edition of Standing Room Only, Bernstein includes a new paradigm for engaging consumers through social media, website development, online ticketing, blogs, email and mobile phone marketing. A compelling read and a global 'call to action' compulsory reading for all involved in marketing the arts.' Jennifer Radbourne, Emeritus Professor, Deakin University, Australia 'An extraordinary guide for every marketing manager who wants to develop arts audiences. Anyone interested in the value of marketing in the arts should not miss this book.' Lanfranco Li Cauli, Head of Marketing, Piccolo Teatro di Milano, Italy 'Having already devoured the first edition of Standing Room Only, there is a wealth of updated and new information in the second edition. A great guide to all aspects of marketing. It's like having your own consultant sitting on your bookshelf.' Andreas Mitisek, Artistic & General Director, Long Beach Opera / Chicago Opera Theater
Table of Content
Introduction 1. The Performing Arts: History And Issues; An Ongoing Crisis? A Growing Crisis? 2. The Evolution and Principles of Marketing 3. Understanding the Performing Arts Market: How Consumers Think 4. Exploring Characteristics of Current and Potential Performing Arts Attenders 5. Planning Strategy and Applying the Strategic Marketing Process 6. Identifying Market Segments, Selecting Target Markets, and Positioning the Offer 7. Conducting and Using Market Research 8. Using Strategic Marketing to Define and Analyze the Product Offering 9. Managing Location, Capacity, and Ticketing Systems 10. Delivering Value and Maximizing Revenue Through Pricing Strategies 11. Identifying and Capitalizing on Brand Identity 12. Formulating Communications Strategies 13. Delivering the Message: Advertising, Personal Selling, Sales Promotion, Public Relations, and Crisis Management 14. Harnessing and Leveraging the Power of Digital Marketing Methods 15. Building Audience Frequency and Loyalty 16. Focusing on the Customer Experience and Delivering Great Customer Service 17. Audiences for Now; Audiences for the Future
Copyright Date
2014
Target Audience
Scholarly & Professional
Topic
Marketing / General, Theater / General, General
Lccn
2013-041296
Dewey Decimal
791.06/98
Dewey Edition
23
Illustrated
Yes
Genre
Business & Economics, Science, Performing Arts

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