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Tuning in: American Narrative Television Music by Rodman, Ron
by Rodman, Ron | PB | Good
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“Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, ”... Read moreAbout condition
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Located in: Aurora, Illinois, United States
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Estimated between Fri, 31 May and Mon, 3 Jun to 43230
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eBay item number:374897740767
Item specifics
- Condition
- Good
- Seller notes
- Binding
- Paperback
- Weight
- 1 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780195340259
- Book Title
- Tuning in : American Narrative Television Music
- Item Length
- 6.1in
- Publisher
- Oxford University Press, Incorporated
- Publication Year
- 2009
- Format
- Trade Paperback
- Language
- English
- Item Height
- 1in
- Genre
- Music, Performing Arts
- Topic
- History & Criticism, Television / General, General
- Item Width
- 9.1in
- Item Weight
- 18.4 Oz
- Number of Pages
- 370 Pages
About this product
Product Information
Tuning In brings readers through the fascinating history, structure, and function of music as it has been used over the first fifty years of television: how it serves as a navigator through the flow of television, and how it conveys meaning to its viewers.
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0195340256
ISBN-13
9780195340259
eBay Product ID (ePID)
73323307
Product Key Features
Book Title
Tuning in : American Narrative Television Music
Format
Trade Paperback
Language
English
Topic
History & Criticism, Television / General, General
Publication Year
2009
Genre
Music, Performing Arts
Number of Pages
370 Pages
Dimensions
Item Length
6.1in
Item Height
1in
Item Width
9.1in
Item Weight
18.4 Oz
Additional Product Features
Lc Classification Number
Ml2080.R63 2009
Reviews
"Filled with images, musical notation, charts, explanatory theories, and careful chapter summaries, this insightful book, with its relaxed prose, is both valuable and fun to read. Highly recommended." -- Choice"This book brings to bear semiotic, musicological, and music-analytical approaches on the predominant visual entertainment medium in the second half of the twentieth century. A foundational study with which all future critical work on TV music will need to engage."-David Neumeyer, The University of Texas at Austin"This is a pioneering work on television and advertising music and recommended reading for anyone interested in musical semiotics, film music, or popular music. The book, both intelligent and entertaining at the same time, lays a solid theoretical and methodological ground for any future study on musical multimedia."-Erkki Pekkilä, University of Helsinki, Finland, "Filled with images, musical notation, charts, explanatory theories, and careful chapter summaries, this insightful book, with its relaxed prose, is both valuable and fun to read. Highly recommended." --Choice "This book brings to bear semiotic, musicological, and music-analytical approaches on the predominant visual entertainment medium in the second half of the twentieth century. A foundational study with which all future critical work on TV music will need to engage."-David Neumeyer, The University of Texas at Austin "This is a pioneering work on television and advertising music and recommended reading for anyone interested in musical semiotics, film music, or popular music. The book, both intelligent and entertaining at the same time, lays a solid theoretical and methodological ground for any future study on musical multimedia."-Erkki Pekkilä, University of Helsinki, Finland, "Filled with images, musical notation, charts, explanatory theories, and careful chapter summaries, this insightful book, with its relaxed prose, is both valuable and fun to read. Highly recommended." --Choice "This book brings to bear semiotic, musicological, and music-analytical approaches on the predominant visual entertainment medium in the second half of the twentieth century. A foundational study with which all future critical work on TV music will need to engage."-David Neumeyer, The University of Texas at Austin "This is a pioneering work on television and advertising music and recommended reading for anyone interested in musical semiotics, film music, or popular music. The book, both intelligent and entertaining at the same time, lays a solid theoretical and methodological ground for any future study on musical multimedia."-Erkki Pekkil , University of Helsinki, Finland, "Filled with images, musical notation, charts, explanatory theories, and careful chapter summaries, this insightful book, with its relaxed prose, is both valuable and fun to read. Highly recommended." --Choice"This book brings to bear semiotic, musicological, and music-analytical approaches on the predominant visual entertainment medium in the second half of the twentieth century. A foundational study with which all future critical work on TV music will need to engage."-David Neumeyer, The University of Texas at Austin"This is a pioneering work on television and advertising music and recommended reading for anyone interested in musical semiotics, film music, or popular music. The book, both intelligent and entertaining at the same time, lays a solid theoretical and methodological ground for any future study on musical multimedia."-Erkki Pekkilä, University of Helsinki, Finland, "Filled with images, musical notation, charts, explanatory theories, and careful chapter summaries, this insightful book, with its relaxed prose, is both valuable and fun to read. Highly recommended." --Choice "This book brings to bear semiotic, musicological, and music-analytical approaches on the predominant visual entertainment medium in the second half of the twentieth century. A foundational study with which all future critical work on TV music will need to engage."-David Neumeyer, The University of Texas at Austin "This is a pioneering work on television and advertising music and recommended reading for anyone interested in musical semiotics, film music, or popular music. The book, both intelligent and entertaining at the same time, lays a solid theoretical and methodological ground for any future study on musical multimedia."-Erkki Pekkil, University of Helsinki, Finland, "This book brings to bear semiotic, musicological, and music-analytical approaches on the predominant visual entertainment medium in the second half of the twentieth century. A foundational study with which all future critical work on TV music will need to engage."-David Neumeyer, The University of Texas at Austin "This is a pioneering work on television and advertising music and recommended reading for anyone interested in musical semiotics, film music, or popular music. The book, both intelligent and entertaining at the same time, lays a solid theoretical and methodological ground for any future study on musical multimedia."-Erkki Pekkila, University of Helsinki, Finland
Table of Content
Introduction. What Were Musicians Saying About Television Music During the First Decade of Broadcasting?I. Toward an Associative Theory of Television Music2. "Hello Out There in TV Land": Musical Agency in the Early Television Anthology Drama3. "And Now a Word from Our Sponsor: Musical Structure and Mediation in Early TV Commercials4. "Beam Me Up, Scottie!" Leitmotifs, Musical Topos, and Ascription in the Sci-Fi Drama5. "Go for your Guns:" Narrative Syntax and Musical Functions in the TV Western6. Tube of Pleasure, Tube of Bliss: Television Music as (Not-So) Drastic Experience7. "And Now Another Word from our Sponsor:" Strategies of Occultation and Imbuement in Musical Commercials8. "Just the Facts, Ma'am:" Style Change and Markedness in Police Drama Theme Music9. "The Truth is Out There:" Music in Modern/Postmodern TelevisionBibliographyIndex
Copyright Date
2009
Lccn
2009-007222
Intended Audience
Trade
Series
Oxford Music / Media Ser.
Illustrated
Yes
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Free postage | United States | Economy Shipping | Estimated between Fri, 31 May and Mon, 3 Jun to 43230 |
US $15.99 (approx EUR 14.73) | United States | Expedited Shipping | Estimated on or before Thu, 30 May to 43230 |
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