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Hiroshima Bugi: Atomu 57: By Vizenor, Gerald
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eBay item number:393955721316
Item specifics
- Condition
- ISBN
- 9780803232846
- EAN
- 9780803232846
- Book Title
- Hiroshima Bugi : Atomu 57
- Item Length
- 8.5in
- Publisher
- University of Nebraska Press
- Publication Year
- 2010
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6in
- Genre
- Fiction
- Topic
- Psychological, Native American & Aboriginal, General
- Item Width
- 5.5in
- Item Weight
- 9.2 Oz
- Number of Pages
- 224 Pages
About this product
Product Information
An ingenious kabuki novel that begins in the ruins of the Atomic Bomb Dome, a new Rashomon Gate. In Hiroshima Bugi: Atomu 57 acclaimed Anishinaabe writer Gerald Vizenor has created a dynamic meditation on nuclear devastation and our inability to grasp fully its presence or its legacy.
Product Identifiers
Publisher
University of Nebraska Press
ISBN-10
0803232845
ISBN-13
9780803232846
eBay Product ID (ePID)
79279208
Product Key Features
Book Title
Hiroshima Bugi : Atomu 57
Format
Trade Paperback
Language
English
Topic
Psychological, Native American & Aboriginal, General
Publication Year
2010
Genre
Fiction
Number of Pages
224 Pages
Dimensions
Item Length
8.5in
Item Height
0.6in
Item Width
5.5in
Item Weight
9.2 Oz
Additional Product Features
Lc Classification Number
Ps3572.I9h57 2010
Reviews
" Hiroshima Bugi is a dance that exposes the vacillation necessary for the preservation of the vital lies of war and capitalism. Its central rhythm is a reminder of our obligation to live lives of peace and reconciliation, burdens that humanity seems to find impossible. At the novel's best it reminds us of Kurt Vonnegut's dark but life-affirming Cat's Cradle and Slaughterhouse Five ."-Dex Westrum, Milwaukee Journal Sentinel, "Mapping the realms that matter to transformations of consciousness is one order of business; evoking transformative visionary presence is another. Transpersonal explorations of issues of identity and peace require not just orientation but also evocation. There is no better introduction to these issues than the challenges that Gerald Vizenor''s latest fiction, Hiroshima Bugi , poses to transpersonal thinking."- Jurgen W. Kremer, ReVision, "Mapping the realms that matter to transformations of consciousness is one order of business; evoking transformative visionary presence is another. Transpersonal explorations of issues of identity and peace require not just orientation but also evocation. There is no better introduction to these issues than the challenges that Gerald Vizenor''s latest fiction, Hiroshima Bugi, poses to transpersonal thinking."-Jurgen W. Kremer, ReVision, " Hiroshima Bugi is a very effective examination of atomic destruction, and how the generations afterwards have dealt with it. It is also a penetrating examination of Japanese culture, tying together in rather remarkable fashion traditional and outside influences: from kabuki to tattooing to the film, Hiroshima mon Amour , Vizenor utilizes the familiar (and explains what is not) and creates a work that is truly insightful."- The Complete Review, "Vizenor has a reputation for taking chances with his novels, for pushing the form in new directions. He outdoes himself in his latest. . . . Readers who have shared other adventures with Vizenor will not be disappointed."- Library Journal, "Vizenor is at full speed in Hiroshima Bugi . This book is a natural dance of concepts. Vizenor does for Native literature what James Joyce does for Irish literature in Ulysses and Finnegans Wake ."-Diane Glancy, author of Designs of the Night Sky, "Hiroshima Bugi is a dance that exposes the vacillation necessary for the preservation of the vital lies of war and capitalism. It''s central rhythm is a reminder of our abligation to live lives of peace and reconciliation, burdens that humanity seems to find impossible. At the novel''s best it reminds us of Kurt Vonnegut''s dark but life-affirming ''Cat''s Cradle'' and ''Slaughterhouse Five''."-Dex Westrum, Milwaukee Journal Sentinel, "Vizenor is at full speed in Hiroshima Bugi . This book is a natural dance of concepts. Vizenor does for Native literature what James Joyce does for Irish literature in Ulysses and Finnegans Wake .""--Diane Glancy, author of Designs of the Night Sky ""Vizenor has a reputation for taking chances with his novels, for pushing the form in new directions. He outdoes himself in his latest. . . . Readers who have shared other adventures with Vizenor will not be disappointed.""-- Library Journal "Gerald Vizenor contributes to Nebraska's Native Storiers series a novel that challenges conventional notions of ethnic, cultural, and stylistic purity. . . . In this requiem for the atomic age's forgotten victims, Vizenor offers us another sophisticated, alternately sensitive and ironic meditation on the importance of cross-fertilization and remembrance."--Thomas Hove, Review of Contemporary Fiction " Hiroshima Bugi is a very effective examination of atomic destruction, and how the generations afterwards have dealt with it. It is also a penetrating examination of Japanese culture, tying together in rather remarkable fashion traditional and outside influences: from kabuki to tattooing to the film, Hiroshima mon Amour , Vizenor utilizes the familiar (and explains what is not) and creates a work that is truly insightful."-- The Complete Review "" Hiroshima Bugi is a dance that exposes the vacillation necessary for the preservation of the vital lies of war and capitalism. Its central rhythm is a reminder of our obligation to live lives of peace and reconciliation, burdens that humanity seems to find impossible. At the novel's best it reminds us of Kurt Vonnegut's dark but life-affirming Cat's Cradle and Slaughterhouse Five .""--Dex Westrum, Milwaukee Journal Sentinel ""Mapping the realms that matter to transformations of consciousness is one order of business; evoking transformative visionary presence is another. Transpersonal explorations of issues of identity and peace require not just orientation but also evocation. There is no better introduction to these issues than the challenges that Gerald Vizenor's latest fiction, Hiroshima Bugi , poses to transpersonal thinking.""-- Jurgen W. Kremer, ReVision, "Mapping the realms that matter to transformations of consciousness is one order of business; evoking transformative visionary presence is another. Transpersonal explorations of issues of identity and peace require not just orientation but also evocation. There is no better introduction to these issues than the challenges that Gerald Vizenor's latest fiction, Hiroshima Bugi , poses to transpersonal thinking."- Jurgen W. Kremer, ReVision , "Vizenor has a reputation for taking chances with his novels, for pushing the form in new directions. He outdoes himself in his latest. . . . Readers who have shared other adventures with Vizenor will not be disappointed."-Library Journal, "Hiroshima Bugi is a very effective examination of atomic destruction, and how the generations afterwards have dealt with it. It is also a penetrating examination of Japanese culture, tying together in rather remarkable fashion traditional and outside influences: from kabuki to tattooing to the film, Hiroshima mon Amour, Vizenor utilizes the familiar (and explains what is not) and creates a work that is truly insightful."-The Complete Review, "Gerald Vizenor contributes to Nebraska's Native Storiers series a novel that challenges conventional notions of ethnic, cultural, and stylistic purity. . . . In this requiem for the atomic age's forgotten victims, Vizenor offers us another sophisticated, alternately sensitive and ironic meditation on the importance of cross-fertilization and remembrance."-Thomas Hove, Review of Contemporary Fiction, " Hiroshima Bugi is a dance that exposes the vacillation necessary for the preservation of the vital lies of war and capitalism. It''s central rhythm is a reminder of our abligation to live lives of peace and reconciliation, burdens that humanity seems to find impossible. At the novel''s best it reminds us of Kurt Vonnegut''s dark but life-affirming ''Cat''s Cradle'' and ''Slaughterhouse Five''."-Dex Westrum, Milwaukee Journal Sentinel, "Vizenor is at full speed inHiroshima Bugi. This book is a natural dance of concepts. Vizenor does for Native literature what James Joyce does for Irish literature inUlyssesandFinnegans Wake."-Diane Glancy, author ofDesigns of the Night Sky, " Hiroshima Bugi is a dance that exposes the vacillation necessary for the preservation of the vital lies of war and capitalism. Its central rhythm is a reminder of our obligation to live lives of peace and reconciliation, burdens that humanity seems to find impossible. At the novel''s best it reminds us of Kurt Vonnegut''s dark but life-affirming Cat''s Cradle and Slaughterhouse Five ."-Dex Westrum, Milwaukee Journal Sentinel
Copyright Date
2010
Target Audience
Scholarly & Professional
Dewey Decimal
813/.54
Series
Native Storiers: a Series of American Narratives Ser.
Dewey Edition
21
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