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Toward a New Film Aesthetic by Dr. Bruce Isaacs (English) Hardcover Book

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Item specifics

Condition
New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
ISBN-13
9780826428707
Book Title
Toward a New Film Aesthetic
ISBN
9780826428707
Item Length
9in
Publisher
Bloomsbury Academic & Professional
Publication Year
2008
Type
Textbook
Format
Hardcover
Language
English
Item Height
0.6in
Author
Bruce Isaacs
Genre
Performing Arts
Topic
Film / General, Film / History & Criticism
Item Width
6in
Item Weight
17.5 Oz
Number of Pages
240 Pages

About this product

Product Identifiers

Publisher
Bloomsbury Academic & Professional
ISBN-10
0826428703
ISBN-13
9780826428707
eBay Product ID (ePID)
59780142

Product Key Features

Author
Bruce Isaacs
Format
Hardcover
Language
English
Topic
Film / General, Film / History & Criticism
Publication Year
2008
Type
Textbook
Genre
Performing Arts
Number of Pages
240 Pages

Dimensions

Item Length
9in
Item Height
0.6in
Item Width
6in
Item Weight
17.5 Oz

Additional Product Features

Lc Classification Number
Pn1995.I77 2007
Reviews
'Isaacs opens a path to a theory that is rigorous about, and respectful of, the film.' Parallax, 2009, "Isaacs (Univ. of Sydney) contends that post modern narrative cinema no longer conforms to the hierarchical gradations of high art, mediocre art, and trash...This is a valuable, thought-provoking attempt to aestheticize the deployment of prior cinematic representations. Summing up: Recommended." -J.C. Tibbetts, CHOICE, December 2008, Unfortunately, despite his avowed intention to make film theory meaningful for contemporary viewers ("Film theory should be for people other than theorists"), Isaacs deploys abstruse jargon, problematic arguments, and frequent allusions to theorists such as Baudrillard, Lyotard, Eco, et. Al., thus putting the book out of reach of undergraduates. -J.C. Tibbetts, CHOICE, December 2008
Publication Name
Toward a New Film Aesthetic
Table of Content
Part One: Foundations of a New Film Aesthetic Chapter One: Engaging the Aesthetic Impulse Chapter Two: The Redundancy of RealismChapter Three: The Transcendence of the Cinematic Image Part Two: Towards a Theory of Popular Culture Chapter Four: Popular Culture as Industry and Commodity Chapter Five: Authenticity and Spectacle Part Three: Text and Spectacle in The Matrix Franchise Chapter Six: Spectacle and The Matrix Phenomenon Chapter Seven: Discursive Text, Intertexuality and The Matrix Franchise Chapter Eight: Conceptualising the Hypermyth - Gorging on the Sacred Past Part Four: The Cinematic Real: Image, Text, Culture Chapter Nine: The Transition From Genre to Genericity Chapter Ten: The Metacinematic Real and the Spectacle Aesthetic Chapter Eleven: Metacinema and Postmodern Narrative: The New Auteurism
Copyright Date
2007
Target Audience
Scholarly & Professional
Lccn
2007-013620
Dewey Decimal
791.4301
Dewey Edition
22
Illustrated
Yes

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