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Cambridge Companion to the Musical by William A Everett (English) Paperback Book
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- Buy it nowCambridge Companion to the Musical by William A Everett (English) Paperback Book
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Item specifics
- Condition
- ISBN-13
- 9781107535299
- Book Title
- Cambridge Companion to the Musical
- ISBN
- 9781107535299
- Publication Name
- Cambridge Companion to the Musical
- Item Length
- 9.7in
- Publisher
- Cambridge University Press
- Series
- Cambridge Companions to Music Ser.
- Publication Year
- 2017
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.9in
- Features
- Revised
- Item Width
- 6.9in
- Item Weight
- 35 Oz
- Number of Pages
- 502 Pages
About this product
Product Information
The third edition of this acclaimed Companion provides an accessible, broadly based survey of musicals in London, New York, and other venues from the nineteenth century to the present. Existing chapters have been updated, and two new chapters added, providing a wealth of information for students and enthusiasts alike.
Product Identifiers
Publisher
Cambridge University Press
ISBN-10
1107535298
ISBN-13
9781107535299
eBay Product ID (ePID)
237912253
Product Key Features
Publication Name
Cambridge Companion to the Musical
Format
Trade Paperback
Language
English
Features
Revised
Series
Cambridge Companions to Music Ser.
Publication Year
2017
Type
Textbook
Number of Pages
502 Pages
Dimensions
Item Length
9.7in
Item Height
0.9in
Item Width
6.9in
Item Weight
35 Oz
Additional Product Features
Lc Classification Number
Ml2054.C35 2017
Edition Description
Revised Edition
Edition Number
3
Table of Content
1. How to create a musical: the case of Wicked Paul R. Laird; Part I. Adaptations and Transformations: before 1940: 2. American musical theatre before the twentieth century Katherine K. Preston; 3. Non-English-language musical theatre in the United States John Koegel; 4. Birth pangs, growing pains, and sibling rivalry: musical theatre in New York, 1900-20 Orly Leah Krasner; 5. American and British operetta in the 1920s: romance, nostalgia, and adventure William A. Everett; 6. Images of African Americans: African-American musical theatre, Show Boat and Porgy and Bess John Graziano; 7. The melody (and the words) linger on: American musical comedies of the 1920s and 1930s Geoffrey Block; Part II. Maturations and Formulations: 1940-70: 8. 'We said we wouldn't look back': British musical theatre, 1935-69 John Snelson; 9. The coming of the musical play: Rodgers and Hammerstein Ann Sears; 10. The successors of Rodgers and Hammerstein from the 1940s to the 1960s Thomas L. Riis and Ann Sears; 11. Musical sophistication on Broadway: Kurt Weill and Leonard Bernstein Bruce D. Mcclung and Paul R. Laird; Part III. Evolutions and Integrations: after 1970: 12. Stephen Sondheim and the musical of the outsider Jim Lovensheimer; 13. Choreographers, directors, and the fully integrated musical Paul R. Laird; 14. From Hair to Rent and beyond: has 'rock' ever been a four-letter word on Broadway? Scott Warfield; 15. The megamusical: the creation, internationalisation, and impact of a genre Paul Prece and William A. Everett; 16. 'In this England, in these times': redefining the British musical since 1970 Miranda Lundskaer-Nielsen; 17. 'Tonight I will bewitch the world': the European musical Judith Sebesta and Laura MacDonald; 18. New horizons: the musical at the dawn of the twenty-first century Bud Coleman; Part IV. Legacies and Transformations: 19. Why do they start to sing and dance all of a sudden? Examining the film musical Graham Wood; 20. Revisiting classic musicals: revivals, films, television, and recordings Jessica Sternfeld; 21. Big dreams on the small screen: the television musical Mary Jo Lodge.
Copyright Date
2017
Topic
Theater / Broadway & Musicals, General
Dewey Decimal
782.1/4
Intended Audience
Scholarly & Professional
Dewey Edition
22
Illustrated
Yes
Genre
Music, Performing Arts
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