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Companion to Medieval and Renaissance Music by David Fallows and Tess...

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Item specifics

Condition
Good: A book that has been read, but is in good condition. Minimal damage to the book cover eg. ...
Literary Movement
Renaissance
Narrative Type
Nonfiction
Subject
History & Criticism, Genres & Styles / Classical, Europe / Medieval
ISBN
9780520210813
EAN
9780520210813
Subject Area
Music, History
Publication Name
Companion to Medieval and Renaissance Music
Publisher
University of California Press
Item Length
9.2 in
Publication Year
1998
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
1.1 in
Author
Tess Knighton, David Fallows
Item Weight
27.3 Oz
Item Width
6.1 in
Number of Pages
448 Pages

About this product

Product Information

With contributions from a range of internationally known early music scholars and performers, Tess Knighton and David Fallows provide a lively new survey of music and culture in Europe from the beginning of the Christian era to 1600. Fifty essays comment on the social, historical, theoretical, and performance contexts of the music and musicians of the period to offer fresh perspectives on musical styles, research sources, and performance practices of the medieval and Renaissance periods.

Product Identifiers

Publisher
University of California Press
ISBN-10
0520210816
ISBN-13
9780520210813
eBay Product ID (ePID)
696985

Product Key Features

Number of Pages
448 Pages
Language
English
Publication Name
Companion to Medieval and Renaissance Music
Publication Year
1998
Subject
History & Criticism, Genres & Styles / Classical, Europe / Medieval
Type
Textbook
Subject Area
Music, History
Author
Tess Knighton, David Fallows
Format
Trade Paperback

Dimensions

Item Height
1.1 in
Item Weight
27.3 Oz
Item Length
9.2 in
Item Width
6.1 in

Additional Product Features

LCCN
97-005751
Dewey Edition
21
Target Audience
Scholarly & Professional
Illustrated
Yes
Dewey Decimal
780/.9/02
Lc Classification Number
97-5751
Table of Content
Illustrations Music examples Abbreviations Introduction Contributors I The music of the past and the modem ear I Daniel Leech-Wilkinson The good, the bad and the boring 2 James Haar Value judgments in music of the Renaissance 3 Christopher Page The English a cappella heresy 4 Tess Knighton Going down on record 5 Thomas Binkley The work is not the performance 6 Peter Phillips Beyond authenticity 7 Philip Pickett Hard-sell, scholarship and silly titles II Aspects of music and society 8 Reinhard Strohm Centre and periphery: mainstream and provincial music 9 Barbara Haggh The meeting of sacred ritual and secular piety: endowments for music IO Keith Falconer Ritual reflections II Christopher Page Musicus and cantor I2 Tess Knighton A day in the life ofFrancisco de Penalosa I3 Anthony Rooley A portrait of Sir Henry Unton I4 Laura W. Macy Women''s history and early music III Questions of form and style GENRES: VOCAL I5 Katherine Bergeron Chant,or the politics of inscription I6 Ardis Butterfield Monophonic song: questions of category I7 Hendrik van der Werf Early Western polyphony I8 Margaret Bent The late-medieval motet I9 Philip T. Jackson Mass polyphony 20 David Fallows Polyphonic song 2I Margaret Mabbett Genre and function: some thoughts on Italian secular vocal music in the sixteenth century GENRES: INSTRUMENTAL 22 Lewis Jones Fourteenth- and fifteenth-century keyboard music 23 Hopkinson Smith Plucked instruments: silver tones of a golden age 24 Randall Cook The medieval fiddle: reflections of a performer 25 Crawford Young On the trail of ensemble music in the fifteenth century 26 Lorenz Welker Wind ensembles in the Renaissance TECHNIQUES OF COMPOSITION 27 Gareth Curtis Musical design and the rise of the cyclic Mass 28 Irena Cholij Borrowed music: ''Allez regrets'' and the use of pre-existentmaterial IV Using the evidence 29 Elizabeth C. Teviotdale Music and pictures in the Middle Ages 30 lain Fenlon Music in Italian Renaissance painting 3I Stevie Wishart Echoes of the past in the present 32 Lewis Jones Surviving instruments 33 Reinhard Strohm Unwritten and written music 34 Frederick Hammond Researching the past: archival studies 35 Michael Noone A manuscript case-study V Pre-performance decisions 36 Bruno Turner The editor: diplomat or dictator? 37 Liane Curtis Mode 38 Rob C. Wegman Musica ficta 39 Kenneth Kreitner Renaissance pitch 40 Honey Meconi Is underlay necessary? 4I Alison Wray Restored pronunciation 42 Jan Nuchelmans Finding the right context: where to perform early music VI Performance techniques 43 Paul Hillier Framing the life of the words 44 John Potter Reconstructing lost voices 45 Rogers Covey-Crump Pythagoras at the forge: tuning in early music 46 Richard Sherr Tempo to I500 47 Ephraim Segerman Tempo and tactus after I500 48 Bernard Thomas Divisions in Renaissance music 49 Andrew Lawrence-King ''Perfect'' instruments T.K. Chronology T.K. Glossary D. F. Index
Copyright Date
1998

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