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Film Form: Essays in Film Theory - Paperback By Sergei Eisenstein

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Item specifics

Condition
Acceptable: A book with obvious wear. May have some damage to the book cover but the book is still ...
MPN
Does not apply
Subject
Film
ISBN
9780156309202
Book Title
Film Form : Essays in Film Theory
Item Length
8 in
Publisher
HarperCollins
Publication Year
1969
Format
Trade Paperback
Language
English
Illustrator
Yes
Item Height
0.7 in
Author
Sergei Eisenstein
Features
Reprint
Genre
Performing Arts
Topic
Film / General, Film / Référence, Film / Direction & Production, Film / History & Criticism
Item Width
5.3 in
Item Weight
9 Oz
Number of Pages
304 Pages

About this product

Product Information

Twelve essays written between 1928 and 1945 that demonstrate key points in the development of Eisenstein's film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an Introduction by Jay Leyda; Index; photographs and diagrams.

Product Identifiers

Publisher
HarperCollins
ISBN-10
0156309203
ISBN-13
9780156309202
eBay Product ID (ePID)
58787

Product Key Features

Book Title
Film Form : Essays in Film Theory
Author
Sergei Eisenstein
Format
Trade Paperback
Language
English
Features
Reprint
Topic
Film / General, Film / Référence, Film / Direction & Production, Film / History & Criticism
Publication Year
1969
Illustrator
Yes
Genre
Performing Arts
Number of Pages
304 Pages

Dimensions

Item Length
8 in
Item Height
0.7 in
Item Width
5.3 in
Item Weight
9 Oz

Additional Product Features

Intended Audience
Trade
Edition Description
Reprint
Reviews
After D.W. Griffith, the most important figure in the history of the international cinema is Sergei Eisenstein. Both men died in 1948, but Eisenstein left a double legacy: not only was he one of the greatest filmmakers of all time, but he was also a magnificent film theorist, perhaps the most important one ever. This book of his essays, superbly translated and edited by Jay Leyda, reprints some of his most vital writings on the art of the cinema, including articles on the language and structure of the movies, the differences between theater and film, and the author's efforts to adapt Theodore Dreiser's An American Tragedy for the screen. In "The Cinematic Principle and the Ideogram," Eisenstein analyzes the written symbols of the Japanese language as a model for film editing. "Dickens, Griffith, and the Film Today," one of the author's most famous pieces, speaks of Griffith as a Dickensian director and then argues for a kind of filmmaking that transcends Griffith's literal style in order to touch its audience on an ideological and metaphorical level. This volume also includes the notorious "statement" on sound movies, which argues against the use of synchronous sound and in favor of jarring, contrapuntal audio that Eisenstein believed would add new dimensions to the talking picture. Idiosyncratic, engrossing, and brilliant, Eisenstein's essays will inspire you to reevaluate everything you thought you knew about the movies.
Copyright Date
1969
Lccn
49-008349
Dewey Decimal
791.4

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Registered as a private seller
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