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All We Know of Heaven, All We Need of Hell [Digipak] by PVRIS (CD, 2017)
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obsessed-records-australia (13952)
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AU $66.69
ApproximatelyEUR 37.43
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- Buy it nowPVRIS - ALL WE KNOW OF HEAVEN,ALL WE NEED OF HELL CD NEW!
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About this product
Product Identifiers
ProducerBlake Harnage
Record LabelRise Records
UPC4050538296143
eBay Product ID (ePID)5050183542
Product Key Features
FormatCD
Release Year2017
GenreRock
Run Time42 Mins 55 Seconds
ArtistPVRIS
Release TitleAll We Know of Heaven, All We Need of Hell [Digipak]
Additional Product Features
Number of Discs1
Country/Region of ManufactureUSA
ReviewsAlternative Press - "Gunn and crew have the potential to be stars of their world, a band that truly, deeply connect with underdog identities. There's something healing about it." NME (Magazine) - 4 stars out of 5 -- "'Separate' is darker than anything they've done before, with singer Lyndsey Gunnulfsen slithering along it in all the right ways....By the time `No Mercy' arrives, there's no escaping how catchy this record is."
EngineerBlake Harnage; Anthony Reeder
Additional informationPersonnel: Lyndsey Gunnulfsen (guitar, piano, organ, drums, percussion, programming); Alex Babinski (guitar); Mikaela Davis (harp); Blake Harnage (synthesizer, programming); Chris Kamrada (drums, percussion). Audio Mixers: Jeff Juliano ; Mark "Spike" Stent; Rich Costey. Recording information: Big Blue North, Utica, NY; Songbox Studios, Brooklyn, NY. Editor: Anthony Reeder. Three years after their breakthrough debut, alternative rock outfit PVRIS expanded their scope with the soaring All We Know of Heaven, All We Need of Hell. The Lowell, Massachusetts trio hinted at this direction on "You and I" and "Empty" from the 2016 deluxe reissue of White Noise, so the polished production and streamlined pop-sense should come as no surprise to fans. Much like predecessors Paramore, PVRIS have grown from hard-hitting, punk-influenced hardcore kids into melodic powerhouses. Frontwoman Lynn Gunn's vocals remain the clearest distinguishing factor for the group -- her fiery performance on "What's Wrong" is a standout -- while guitarist Alex Babinski and bassist Brian MacDonald inject each track with a propulsive urgency. That increased intensity propels highlights like "Heaven," "Half," and "Walk Alone," the latter of which is one of a handful of songs that deftly utilize a harp. The inclusion of that angelic instrument shines a light into the gloom and moody atmospherics, lending an ethereal Florence + the Machine vibe, as it did on the aforementioned White Noise bonus, "Empty." Aside from the hard-rocking "No Mercy" -- the closest PVRIS come to the alt-punk sound of White Noise -- All We Know distinguishes itself from the 2014 debut with restraint, touches of beauty, and contemporary pop production, like a combination of That's the Spirit-era Bring Me the Horizon colliding with synth pop group Chvrches. Fans of their debut may grumble about this new direction, but PVRIS execute so well that they shouldn't have a problem attracting new fans with their hybrid pop/alt-rock sound. On All We Know, PVRIS take a crucial step on the right course toward finding their own trademark sound. ~ Neil Z. Yeung
Number of Audio ChannelsStereo
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