Country/Region of ManufactureGermany
Additional informationBLUEGRASS (1950-1958) is a 4-disc set containing 109 recordings. It includes a 65-page book with detailed discography and personnel listing. Personnel: Bill Monroe (mandolin); Charlie Cline (guitar, fiddle); James H. Martin, Claude J. Phelps, Thomas Grady Martin, Jimmy Selph, Lester Sandy, Loren Otis Shook, Carter Stanley, Douglas Kershaw, Edd Mayfield, Vernon Crawford Cook (guitar); James Ora Bowers, Rudy Lyle, Sonny Osborne, Jim Smoak, Hubert Davis, Joe Stuart, Don Stover, Joe Drumright, Robert Lee Pennington (banjo); Vassar Clements, Merle Taylor, Bobby Hicks, Thomas Jackson, James Smith, Dale Potter, Gordon Terry, Kenny Baker (fiddle); Owen Bradley (piano, organ, vibraphone); Oscar Sheehan, Joel Price, Ernest Newton, William D. Killen, Bessie Lee Maudlin, Jimmy Elrod, Howard Watts, Culley Holt (bass); Farris Coursey (drums). Producers: Owen Bradley, Paul Cohen. Compilation producer: Richard Weize. Recorded between February 3, 1950 and December 1, 1958. Includes liner notes by Neil V. Rosenberg and Charles K. Wolfe. Personnel: Bill Monroe (vocals, tenor, mandolin); Edd Mayfield (vocals, tenor, guitar); Rudy Lyle (vocals, baritone, banjo); Kenny Baker (vocals, baritone, fiddle); Milton Estes, Boudleaux Bryant (vocals, bass voice); Joe Stuart (vocals, guitar, banjo, fiddle); Joel Price (baritone, bass voice); Don Stover (baritone, banjo); Bobby Hicks , Charlie Cline (baritone, fiddle); Gordon Terry (bass voice, fiddle); Culley Holt, Birch Monroe, Buddy Killen (bass voice); Jack Shook, Doug Kershaw, Jimmy Selph, Carter Stanley (guitar); Grady Martin (electric guitar); James Ora Bowers, Hubert Davis, Joe Drumright, Roland "Sonny" Osborne, Jim Smoak (banjo); James "Hal" Smith , Thomas Lee Jackson Jr., Dale Potter, Merle "Red" Taylor, Vassar Clements (fiddle); Owen Bradley (piano, organ, background vocals); Farris Coursey (drums). Audio Mixer: John Strother. Liner Note Authors: Charles K. Wolfe; Neil V. Rosenberg. Recording information: Bradley Film & Recording, Nashville, TN (02/03/1950-12/01/1958); Bradley Studio, Hillsboro Village, Nashville, TN (02/03/1950-12/01/1958); Bradley Studio, Nashville, TN (02/03/1950-12/01/1958); Castle Studio, Nashville, TN (02/03/1950-12/01/1958); Castle Studio, Tulane Hotel, Nashville, TN (02/03/1950-12/01/1958). Illustrators: Charles K. Wolfe; David Freeman ; Ann Streeter; R.A. Andreas; Gordon Terry; Eberhard Finke; Jimmy Martin ; Pete Kuykendall; Neil V. Rosenberg; Robert K. Oermann. Photographers: Charles K. Wolfe; David Freeman ; Ann Streeter; Jürgen Feuss; R.A. Andreas; Gordon Terry; Tennessean; Eberhard Finke; Jimmy Martin ; Richard Weize; Pete Kuykendall; Neil V. Rosenberg; Robert K. Oermann. The 50's were a benchmark period for Bill Monroe, an era during which he recorded many of the songs on which his legendary stature rests. Monroe's band in the 50's also served as a training ground for future bluegrass legends, including guitarist/singer Jimmy Martin, fiddlers Vassar Clements, Charlie Cline, and Gordon Te