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Reviews'This book qualifies immediately as a towering work of outstanding musical analysis...Jones's new volume continues also to be a valuable digest of the thoughts of other scholars; spanning the Cöthen years as well as Leipzig, it is a masterpiece of compression and precision, yet finds time to ventilate the most interesting aspects of Bach Scholarship.'Bach Notes Journal, This book qualifies immediately as a towering work of outstanding musical analysis...Jones's new volume continues also to be a valuable digest of the thoughts of other scholars; spanning the Cöthen years as well as Leipzig, it is a masterpiece of compression and precision, yet finds time to ventilate the most interesting aspects of Bach Scholarship.
Dewey Decimal780.92
Table Of ContentPart I: The Cðthen and Early Leipzig Years: 1717-17291. Introduction2. The Well-Tempered Clavier I and Other Keyboard Works3. The Brandenburg Concertos and Other Instrumental Works4. Sacred and Secular: the Vocal Works5. ConclusionPart II: The Middle Leipzig Years 1729-391. Introduction2. Clavierübung II-III and other Harpsichord, Organ, and Lute Works3. The Harpsichord Concertos and Other Instrumental Works4. Sacred and Secular: Vocal Works II5. ConclusionPart III: The Late Leipzig Years 1739-501. Introduction2. The Well-Tempered Clavier II and Other Keyboard/Organ Works3. The Musical Offering and Other Instrumental Works4. The B minor Mass and Other Vocal Works5. ConclusionPart I: The Cðthen and Early Leipzig Years: 1717-17291. Introduction2. The Well-Tempered Clavier I and Other Keyboard Works3. The Brandenburg Concertos and Other Instrumental Works4. Sacred and Secular: the Vocal Works5. ConclusionPart II: The Middle Leipzig Years 1729-391. Introduction2. Clavierübung II-III and other Harpsichord, Organ, and Lute Works3. The Harpsichord Concertos and Other Instrumental Works4. Sacred and Secular: Vocal Works II5. ConclusionPart III: The Late Leipzig Years 1739-501. Introduction2. The Well-Tempered Clavier II and Other Keyboard/Organ Works3. The Musical Offering and Other Instrumental Works4. The B minor Mass and Other Vocal Works5. Conclusion
SynopsisThis is the second of a two-volume study of the music of Johann Sebastian Bach. Taking into account the vast increase in our knowledge of the composer due to the Bach scholarship of the last sixty years, Richard Jones presents a vivid and in some respects radically new picture of his creative development during the Cöthen (1717-23) and Leipzig years (1723-50). The approach is, as far as possible, chronological and analytical, but the author has also tried tomake the book readable so that it may be accessible to music lovers and amateur performers as well as to students, scholars, and professional musicians. There are many good biographies of Bach, but this isthe first, fully-comprehensive, in-depth study of his music making it indispensable for those who want to study specific pieces or learn how he developed as a composer., This is the second of a two-volume study of the music of Johann Sebastian Bach. Taking into account the vast increase in our knowledge of the composer due to the Bach scholarship of the last sixty years, Richard Jones presents a vivid and in some respects radically new picture of his creative development during the Cöthen (1717-23) and Leipzig years (1723-50). The approach is, as far as possible, chronological and analytical, but the author has also tried to make the book readable so that it may be accessible to music lovers and amateur performers as well as to students, scholars, and professional musicians. There are many good biographies of Bach, but this is the first, fully-comprehensive, in-depth study of his music making it indispensable for those who want to study specific pieces or learn how he developed as a composer., This last in a two-volume study examines Bach's musical compositional development in his later years, including his time at Cðthen and Leipzig., This is the second of a two-volume study of the music of Johann Sebastian Bach. Taking into account the vast increase in our knowledge of the composer due to the Bach scholarship of the last sixty years, Richard Jones presents a vivid and in some respects radically new picture of his creative development during the Cothen (1717-23) and Leipzig years (1723-50). The approach is, as far as possible, chronological and analytical, but the author has also tried to make the book readable so that it may be accessible to music lovers and amateur performers as well as to students, scholars, and professional musicians. There are many good biographies of Bach, but this is the first, fully-comprehensive, in-depth study of his music making it indispensable for those who want to study specific pieces or learn how he developed as a composer.
LC Classification NumberML410.B1J6 2015