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Der Vampyr by Marschner / Kaufmann / Wdr Rundfunkorchester Koln (CD, 2013)
Collection Studios (5033)
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US $24.59
ApproximatelyEUR 21.28
+ $20.18 postage
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Condition:
- Buy it nowMARSCHNER Der Vampyr / Jonas Kaufmann, Franz Hawlata, FROSCHAUER (CD, Capriccio)
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About this product
Product Identifiers
Record LabelCio, Capriccio
UPC0845221051840
eBay Product ID (ePID)21046055150
Product Key Features
FormatCD
Release Year2013
GenreClassical
ArtistMarschner / Kaufmann / Wdr Rundfunkorchester Koln
Release TitleDer Vampyr
Dimensions
Item Height0.47 in
Item Weight0.28 lb
Item Length5.58 in
Item Width5.12 in
Additional Product Features
Number of Discs2
Number of Tracks26
Country/Region of ManufactureUnited States
Tracks1.1 Overture 1.2 Ihr Hexen Und Geister 1.3 Ha! Noch Einen Ganzen Tag! - Ha! Welche Lust 1.4 Teurer Eltern Einz'ge Freue 1.5 Wo Kann Sie Sein 1.6 Sostenuto 1.7 Heiter Lacht Die Goldne Fruhlingssonne 1.8 Du Bist's, Es Ist Kein Traum 1.9 Wie Mein Vater 1.10 Blumen Und Bluten Im Zephyrgekose 1.11 Hier, Malwina, Ist Der Mann 1.12 Der Priester Ist Bestellt 2.1 Munter, Edle Zecher, Munter, Kostlich Ist Der Wein! 2.2 Dort An Jenem Felsenhang 2.3 Sieh, Mutter, Dort Den Bleichen Mann 2.4 Ihr Wollt Mich Nur Beschamen 2.5 Wohl, Du Zwingst Mich Zum Verbrechen 2.6 Wie Ein Schoner Fruhlingsmorgen 2.7 Leise Dort Zur Fernen Laube 2.8 Im Herbst, Da Muss Man Trinken 2.9 Endlich, Alter, Find Ich Dich 2.10 Freuden Und Leiden Im Irdischen Leben 2.11 Halt Ein! Ich Kann Es Nicht Ertragen 2.12 Blumen Und Bluten Im Zephyrgekose 2.13 Haltet Ein! Ha! Nimmermehr! 2.14 Wie Nach Verderblichem Wettergetose
NotesSomething demonic and ghostly fills the air: we find ourselves in the age of Dark Romanticism, which cast it's shadow on the opera. The fateful drama is of Scottish origin, whose essence consists of inherited curses, dark, guilty entanglements and bloody props, in order to wake fatalistic shivers. Among the audience at the premiere performance of the 'Vampire' in 1828 at the Sachsisches Hoftheater in Leipzig was 15-year-old Richard Wagner. Marschner's opera crosses the path of the theatre novice many times. In 1833 the fledgling repetiteur Wagner in Wurzburg got involved in: 'However, soon the Marschner score interested me sufficiently to make it worth while to have my bitter work published. I contributed a new allegro movement to Aubry's tenor aria in Marschner's 'Vampire', which I also wrote the text to. My resulting work was demonic and effective, registering the acclaim of the audience and encouraging recognition from my brother'. Wagner could still get worked up about the 'loathsomeness of the thematic'; even Hans Pfitzner had to placatingly defend and emphasise the 'gruesomeness' of the text, the 'shivering' was the 'best part of Marschner's music'. Edgar Istel also captured his theatrical impression in creepy gothic words: 'Whoever saw how the once-bitten vampire returns to life rises up by moonlight to the sounds of Marschner's ghostly music, they will never forget this impression.'
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