Irish Studies: Contemporary Irish Cinema by James MacKillop (1999, Trade Paperback)

Bargain Book Stores (1150865)
99.3% positive Feedback
Price:
US $21.95
ApproximatelyEUR 19.01
+ $10.50 postage
Estimated delivery Thu, 4 Dec - Thu, 25 Dec
Returns:
No returns, but backed by the eBay Money Back Guarantee.
Condition:
New

About this product

Product Identifiers

PublisherSyracuse University Press
ISBN-100815605684
ISBN-139780815605683
eBay Product ID (ePID)523257

Product Key Features

Number of Pages256 Pages
Publication NameContemporary Irish Cinema
LanguageEnglish
Publication Year1999
SubjectFilm / History & Criticism, European / English, Irish, Scottish, Welsh
TypeTextbook
Subject AreaDrama, Performing Arts
AuthorJames Mackillop
SeriesIrish Studies
FormatTrade Paperback

Dimensions

Item Height0.8 in
Item Weight15 Oz
Item Length9.1 in
Item Width6.1 in

Additional Product Features

Intended AudienceScholarly & Professional
LCCN98-052456
Dewey Edition21
Dewey Decimal791.43/09417
SynopsisMovies from and about Ireland have attracted huge audiences, capturing top international prizes (""The Crying Game"") and an Academy Award (""My Left Foot""). In this text, contributors take a variety of approaches to the treatment of films and film makers., Movies from and about Ireland have attracted huge augiences, capturing top international prizes (The Crying Game) and an Academy Award (My Left Foot). In this text, contributors take a variety of approaches to the treatment of films and film makers. They probe cinema's rewriting of Irish history, from Michael Collins and In the Name of the Father to Lost Beginnings., At a time when national cinemas in France and Japan have been marginalized on world screens, movies from and about Ireland have attracted huge audiences and captured top international prizes (The Crying Game) , including an Academy Award (My Left Foot) . In C ontemporary Irish Cinema, James MacKillop takes a variety of approaches in the treatment of films and film makers. Essayists, like Harlan Kennedy, John Hill, Martin McLoon, and Brian Mcilroy, represent leading journalists and critics; other contributors include young scholars well grounded in current cinematic and literary theory. The authors probe cinema's rewriting of Irish history, from the controversial Michael Collin s and In the Name of the Father to playwright Stewart Parker's overlooked miniseries on Ulster sectarianism, Lost Belongings. Jim Loter brings the writings of Martin Heidegger to bear on Cathal Black's dark comedy, Pigs. Attitudes toward the institutional church are revealed in Pamela Dolan's analysis of Playboys.
LC Classification NumberPN1993.5.I85C66 1999

All listings for this product

Buy it nowselected
Any conditionselected
New
Pre-owned