Dewey Edition21
ReviewsHere is no gentle romantic twirling a buttercup...Miss Dillard is stalking the reader as surely as any predator stalks its game...Here is not only a habitat of cruelty and 'the waste of pain,' but the savage and magnificent world of the Old Testament, presided over by a passionate Jehovah with no Messiah in sight...A remarkable psalm of terror and celebration., The book is a form of meditation, written with headlong urgency, about seeing. A reader's heart must go out to a young writer with a sense of wonder so fearless and unbridled. . . . There is an ambition about her book that I like...It is the ambition to feel., This book of wonder is one of the most truly beautiful books of this or any season. . . . A triumph.
Dewey Decimal508.755/792
SynopsisWinner of the Pulitzer Prize Pilgrim at Tinker Creek is the story of a dramatic year in Virginia's Roanoke Valley. Annie Dillard sets out to see what she can see. What she sees are astonishing incidents of "beauty tangled in a rapture with violence." Her personal narrative highlights one year's exploration on foot in the Virginia region through which Tinker Creek runs. In the summer, Dillard stalks muskrats in the creek and contemplates wave mechanics; in the fall, she watches a monarch butterfly migration and dreams of Arctic caribou. She tries to con a coot; she collects pond water and examines it under a microscope. She unties a snake skin, witnesses a flood, and plays King of the Meadow with a field of grasshoppers. The result is an exhilarating tale of nature and its seasons., In nineteenth-century British society music and musicians were organized as they had never been before. This organization was manifested, in part, by the introduction of music into powerful institutions, both out of belief in music's inherently beneficial properties, and also to promote music occupations and professions in society at large. This book provides a representative and varied sample of the interactions between music and organizations in various locations in the nineteenth-century British Empire, exploring not only how and why music was institutionalized, but also how and why institutions became 'musicalized'. Individual essays explore amateur societies that promoted music-making; institutions that played host to music-making groups, both amateur and professional; music in diverse educational institutions; and the relationships between music and what might be referred to as the 'institutions of state'. Through all of the essays runs the theme of the various ways in which institutions of varying formality and rigidity interacted with music and musicians, and the mutual benefit and exploitation that resulted from that interaction., Winner of the Pulitzer Prize "The book is a form of meditation, written with headlong urgency, about seeing. . . . There is an ambition about [Dillard's] book that I like. . . . It is the ambition to feel." -- Eudora Welty, New York Times Book Review Pilgrim at Tinker Creek is the story of a dramatic year in Virginia's Roanoke Valley, where Annie Dillard set out to chronicle incidents of "beauty tangled in a rapture with violence." Dillard's personal narrative highlights one year's exploration on foot in the Virginia region through which Tinker Creek runs. In the summer, she stalks muskrats in the creek and contemplates wave mechanics; in the fall, she watches a monarch butterfly migration and dreams of Arctic caribou. She tries to con a coot; she collects pond water and examines it under a microscope. She unties a snake skin, witnesses a flood, and plays King of the Meadow with a field of grasshoppers. The result is an exhilarating tale of nature and its seasons., In the book which won her a Pulitzer Prize in 1975, Dillard writes in the form of a journal, trying to understand God by chronicling the seasons along Tinker Creek in Virginias Blue Ridge Mountains, and by exploring the paradoxical coexistence of beauty and violence.