That Scratchy Guitar from Memphis by Travis Wammack (CD, 1987)

Bear Family Records Store (56478)
99.6% positive Feedback
Price:
AU $29.02
ApproximatelyEUR 16.29
+ $2.99 postage
Estimated delivery Tue, 9 Dec - Tue, 23 Dec
Returns:
No returns, but backed by the eBay Money Back Guarantee.
Condition:
New

About this product

Product Identifiers

ProducerRoland Janes
Record LabelBear Family Records (Germany)
UPC4000127154156
eBay Product ID (ePID)19050199380

Product Key Features

FormatCD
Release Year1987
GenreRock 'n' Roll, Oldies
Run Time50 Mins 48 Seconds
ArtistTravis Wammack
Release TitleThat Scratchy Guitar from Memphis

Additional Product Features

DistributionMSI Music Distribution
Number of Discs1
Country/Region of ManufactureGermany
Additional informationPersonnel: Travis Wammack (vocals, guitar). Liner Note Author: Detlev Hoegen. Recording information: 1961/1967. Photographer: Travis Wammack. The "scratchy guitar" of the title refers to Travis Wammack's 1964 hit instrumental "Scratchy" as well as his trebly, frenetic guitar style. "Scratchy," with a melody borrowed from Mel Tormé's 1962 hit "Comin' Home Baby" and a bizarre vocal break consisting of backwards tape effects, was only a minor hit in its day but should be regarded as a classic of instrumental rock & roll. That Scratchy Guitar from Memphis gathers 21 recordings Wammack made between 1961-1967, most of which have never before been commercially released. An instrumental rendition of "Louie Louie" on Atlantic Records was Wammack's second and final chart hit of the '60s, and it too is included along with a "Scratchy" retread titled "Umm, How Sweet It Is." Most of the recordings are instrumentals that feature Wammack's bold, funky playing, but there are also several vocal cuts and novelties that display his offbeat sense of humor. "It's Karate Time" is punctuated with karate-chopping grunts years in advance of Carl Douglas' "Kung Fu Fighting," and the title of "There's a UFO Up There" speaks for itself. Wammack isn't a great singer, but he's an enthusiastic vocalist whose efforts are not a detraction where they appear. It's easy to see from cuts like "Super Soul Beat" why Wammack ended up playing guitar for so many soul artists in the '70s -- he's definitely in the groove. Bear Family has done an excellent job of compiling Wammack's early hits and vault holdings for collectors of instrumental rock & roll and those who appreciate great guitarists. ~ Greg Adams
Number of Audio ChannelsStereo

Safety information

No ratings or reviews yet
Be the first to write a review