About this product

Product Identifiers

Record LabelEloquence Australia, Eloa

UPC0028948443253

eBay Product ID (ePID)22053069907

Product Key Features

FormatCD

Release Year2022

GenreClassical

ArtistSutherland, Joan

Release TitleThe Art of the Prima Donna

Dimensions

Item Height4.75 in

Item Weight0.24 lb

Item Length5.66 in

Item Width4.89 in

Additional Product Features

Number of Discs2

Number of Tracks16

Country/Region of ManufactureAustralia

Tracks1.1 THOMAS ARNE (1710–1778) - The soldier tir’d of war’s alarms (Artaxerxes) 1.2 GEORGE FRIDERIC HANDEL (1685–1759) - Let the Bright Seraphim (Samson) 1.3 VINCENZO BELLINI (1801–1835) - Sediziose voci … Casta Diva … Ah! bello a me ritorna (Norma) 1.4 VINCENZO BELLINI (1801–1835) - Son vergin vezzosa (I puritani) 1.5 GIOACHINO ROSSINI (1792–1868) - Bel raggio lusinghier (Semiramide) 1.6 VINCENZO BELLINI (1801–1835) - O rendetemi la speme … Qui la voce … Vien, diletto (I puritani) 1.7 VINCENZO BELLINI (1801–1835) - Care compagne, e voi, tenere amici (La sonnambula) 1.8 CHARLES GOUNOD (1818–1893) - O Dieu ! que de bijoux … Ah ! je ris de me voir ‘Jewel Song’ (Faust) 2.1 CHARLES GOUNOD (1818–1893) - Ah ! Je veux vivre ‘Waltz Song’ (Roméo et Juliette) 2.2 GIUSEPPE VERDI (1813–1901) - Mia madre aveva una povera ancella … Piangea cantando ‘Willow Song’ (Otello) 2.3 WOLFGANG AMADEUS MOZART (1756–1791) - Martern aller Arten (Die Entführung aus dem Serail) 2.4 GIUSEPPE VERDI (1813–1901) - E’ strano! … Ah, fors’è lui … Sempre libera (La traviata) 2.5 AMBROISE THOMAS (1811–1896) - A vos jeux, mes amis, permettez-moi (Mad scene) (Hamlet) 2.6 LÉO DELIBES (1836–1891) - Ah ! Où va la jeune Indoue ? (Bell Song) (Lakmé) 2.7 GIACOMO MEYERBEER (1791–1864) - O beau pays de la Touraine ! (Les Huguenots) 2.8 GIUSEPPE VERDI (1813–1901) - Gualtier Maldè … Caro nome (Rigoletto)

Sub-GenreClassical Vocal Crossover

NotesSutherland's sensational debut recital album, long unavailable on it's own, reissued with photographs and rarely seen costume designs for the soprano's signature roles. When these recordings first appeared, Joan Sutherland was on the brink of a spectacular international career; just behind her was the sensation of her Royal Opera debut in Lucia di Lammermoor, early in 1959, by the end of which she had operatic London at her feet. Initially released as a pair of albums but soon enough compiled together, they were made in Kingsway Hall in the summer of 1959, and they caused a stir all of their own