Reviews"The ecstatic piping of Morocco's Jajouka musicians was little known to Westerners when Brian Jones entered the Rif Mountains in 1968 and heard Pan's true song for the first time....despite some minimal studio chicanery maintains its unearthly power; the Master Musicians' screeling...sound makes the presence of the goat-god Bou Jeloud hypnotically palpable...", "...a remarkable cultural document, and one that anticipated the current wolrd music boom of the last two decades..."
Additional InformationThere are any number of trippy post-production touches, especially the generous amount of stereo "phasing."