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Sound
How do you go about making a Greatest Hits album when the majority of the songs are hits? This is the problem Queen faced while producing this disc. With fan-favorites such as "We Will Rock You" to classics such as "I Want To Break Free," there is something in store for everybody and this is not being said loosely. Queen covered a multitude of genres. From soft to rocking, you'll find something you will cherish and love for a long time. Every single track is a party favorite. The only questionable is why "Bohemian Rhapsody" isn't present. // 9
Lyrics
The lyrics are fantastic as usual. Nothing too deep and nothing too shallow, just the right kind of tone. Some songs even contain humor (Fat Bottomed Girls). Some bands feature lyrics that don't go well with the song and sometimes, the whole lyrical flow is just lost. Not with Queen, everything blends together in a soothing manner. It's like each of these songs was meant to be. Freddie Mercury is a genius when it comes to tone. He has perfect harmony with every instrument on every single track.
// 10
Impression
You might say that this could be the best Christmas or Birthday present and you may be right. Whether a person has been listening to Queen since their first album or has never even heard of them, they will be sure to fall in love with them. Queen is the kind of band you have a hard time hating. Each song is different in every sense of the word and variety is the key to their success.
// 10
5 of 7 found this helpful
15 Jul, 2006
He does it again!
The newest addition to Eminem’s ever-growing pile of albums is Encore. With less skits and more music, Eminem has truly outdone himself. Resembling a continuation of his previous album: The Eminem Show, Encore is nothing short of mind-boggling. This version of the album contains a bonus disc and if you love Eminem, then I would recommend picking it up for an extra $5.00 - $8.00 dollars. Sporting a similar look, Eminem has actually matured on this album. Both his lyrics and beats are proficient and only a few songs seem inadequate. Eminem’s image used to be all about controversy but after The Slim Shady LP, things started cooling down a bit and Eminem began being loved by everyone. Although he still produced the occasional offensive song, his shock-factor began dying down. Encore is still not swear-free but Eminem does not use cuss words carelessly. He utilizes them for the sake of the song and explanation. Avid Eminem fans will disregard this miniscule fact since this is what he is known for, after all. With only four songs featuring other artists (50 cent, Dr. Dre, Nate Dogg, D-12, Obie Trice, and Stat Quo) Eminem performs on the majority of his album. All accompanying artists are equally satisfactory in skill and style. None of the songs are butchered although one song stands out the most, due to its political message, Mosh. It discusses issues in the world today and, to be honest, is not that great. The lyrics are nicely composed but the beat and whole feel of the song is substandard. This is a song you either love, or hate. Eminem’s lyrics are still of the highest quality and his style of rhyme has considerably changed… in a good way. The album still has some trademark similarities. There still is a little bit of Kim, some Debbie, some kiddie humor, a little obscenity, and Dr. Dre! This definitely is not a mainstream rap album.
Eminem has been known for his original beats and smooth flow of words. This album still has it all and even if the occasional song may not sound right the first time, it will sound better the next time.
Eminem never ceases to amaze and this album, although not his best, still contains some talent and well thought out beats. A nice purchase if you’ve got the dough.
Some favorites:
Evil Deeds
Yellow Brick Road
Like Toy Soldiers
Just Lose It
On Shot 2 Shot
We As Americans
2 of 3 found this helpful
14 Oct, 2012
2012 R&B from Frank Ocean
First, the statement/announcement made on Frank Ocean's tumblr earlier this month...
It's significant and quite frankly, `Radical.' Right now, it's almost impossible to write a review without talking about, or at least mentioning, the letter. Read it if you haven't already. It's important. And at the time this review was written, tons of celebrities have already offered their reactions, read: Russell Simmons, Chuck D, Solange Knowles, Stephen Hill, and then, of course Tyler the Creator and Earl Sweatshirt. And many others, to follow, I'm sure.
But enough about the letter. There's music to talk about and questions to answer. Like, is this album any good? Does André 3000 deliver on the track `Pink Matter?' And, what does the John Mayer collaboration track actually sound like? Let's start by answering all of that right now: yes, the album is very good. Yes André 3000 delivers (and more) on arguably, and probably, one of the better (if not best) tracks of this record. And John Mayer doesn't say anything because `White' is an instrumental track and it sounds like what you would expect: Frank Ocean and John Mayer, in the studio, jamming together. But the track is chill, virtuosic and pretty damn good. And for a track that doesn't seem to say much, it says a lot, even without any lyrics. But onto the album itself, as a whole.
First and foremost, for those not in-the-know, Frank Ocean is 24, he's an R&B singer, and yes, he is a member of the infamous Los Angeles-based hip-hop collective/crew/group/club (what-have-you) Odd Future Wolfgang Kill Them All (OFWGKTA). And when I listen to the record, I think R. Kelly and Kid Cudi and Kanye West, largely because Channel Orange sounds like all of the good things from all of those artists, (the singing from R. Kelly, the synth-laden soundscapes and beats from Kid Cudi and the charisma, coolness and confidence of Kanye West, albeit a little more low-key) all packaged into one neat little box, or I guess, CD case (or MP3 download or Vinyl).
People are probably going to be talking about Channel Orange for a little while. Probably, because of the letter, and also, because of how damn good it is. The most talked-about/hyped album right now, for sure. So again, you may want to know, is Channel Orange any good? In short, yes, it's damn good.
This is a solid and cohesive album, 17 tracks in all, complete with intros, instrumental interludes and outros (yeah, we definitely called those skits back in the 90s and early 00s) but everything on Channel Orange sounds focused and with purpose. And I say `focused' and `with purpose' because Channel Orange is not littered with guests. Just Earl Sweatshirt, John Mayer (who doesn't even sing or anything, remember that!) and André 3000. The track titles themselves are pretty remarkable (I think) and full of gumption (`Super Rich Kids,' `Pyramids,' `Pink Matter,' `Forrest Gump,' etc.) and rest assured, it never drags (55 minutes and then some).
Album highlights include:
Thinkin Bout You
Sweet Life
Super Rich Kids (feat. Earl Sweatshirt)
Pilot Jones
Pyramids
White (feat. John Mayer)
Bad Religion
Pink Matter (feat. André 3000)
As a whole, Channel Orange is, quite honestly, probably the definitive R&B album this side of 2012. And this is what 2012 R&B sounds like. So, Channel Orange is probably what I mean when I write things like "timeless music," and "summer music," and "really good," and "this means something," but... in the end "i don't know anything & neither do yo